1
00:00:02,000 --> 00:00:07,000
MIRCrew
2
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Buona visione
3
00:00:12,080 --> 00:00:14,040
[intriguing music]
4
00:00:20,680 --> 00:00:21,840
Oh dear.
5
00:00:23,160 --> 00:00:24,560
Oh dear, is that you?
6
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Oh ! Amazing !
7
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Oh ! It’s been moons!
8
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How are you ? What does it do?
It's been four, five years, right?
9
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Oh ! It makes me so happy!
10
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Wow !
11
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Oh dear, things happened
in five years, right?
12
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Oh my!
13
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You see me with a bouquet of flowers
because I got a role in the theater
14
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and I gave myself a gift,
It happens to me sometimes…
15
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Yeah, I'm doing theater now.
Well, cinema too.
16
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I am an actor.
But you didn't know?
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[tourist dialogue]
18
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You don't follow me on Instagram?
Oh? Funny.
19
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- Good morning.
-Picture?
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00:00:59,200 --> 00:01:00,519
Picture? Yes of course.
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I put my glasses on.
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Picture?
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Ah! Phew…
24
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Sorry. Can you hold this for me?
Hop, thanks.
25
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Be careful not to fall.
26
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[tourist dialogue]
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[click]
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Yes because in fact,
five years ago, you knew me.
29
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I was at ASK, the agency.
30
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We represented all of French cinema.
31
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We were a great team of agents,
of assistants…
32
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In the end,
I had even become a junior agent.
33
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And five years ago,
the agency closed. So.
34
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Big blow.
35
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We got torpedoed from the inside
by Starmedia.
36
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In a few months, ruined.
37
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It was horror.
We were there:
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“Well yeah, OK.
We're going to get back up, we're going to stay united..."
39
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But pff… The key in the door.
40
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It makes me want to eat sugar.
41
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The little ASK gang? Pff… Pff…
42
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What's left? Nothing.
43
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Nothing,finito. Basta.
44
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Arlette was the oldest.
She retired.
45
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Mathias Barneville and his daughter Camille
set up their agency.
46
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Of course they begged me
to work with them.
47
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But I said:
“No, Hervé, he’s an actor.”
48
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I finally met my life.
See?
49
00:02:03,600 --> 00:02:05,480
And then you have Gabriel.
50
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Who I've worked with all my life.
51
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He left directly
among competitors?
52
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With the enemy?
I don't judge.
53
00:02:13,920 --> 00:02:15,000
I don't judge.
54
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But still.
55
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The only one I remained very close to,
It’s Noémie.
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She is a producer.
But not the kind who shows off.
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It's a ray of sunshine.
58
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She enters a room,
it changes your life.
59
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There remains Andrea.
Andréa, well then, her!
60
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Enigma until the end of my life.
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Independent,
never where we expect it...
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[bells]
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But wait, what time is it?
Oh dear, but he’s… What an idiot!
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Plus, it was dinner for my mother
because I didn't make food.
65
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And she comes to see me,
but it was great to see you.
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You beautified! Yeah !
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Listen, next time,
you tell me about yourself. Save the flowers!
68
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It's for you, it makes me happy.
69
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That's Paris.
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Come on, kisses.
We can't wait five years, right? Oh !
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[facetious notes]
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[Hervé] Hello!
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[funk version of the series theme]
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- The latest version of the scenario.
- Great, thank you.
75
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A Coke Zero and dried fruit.
76
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But without cashews,
I don't like it.
77
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-Andréa, I need to see you.
- First, I have to find Malik
78
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for this gun thing.
Has anyone seen Malik?
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- No ? Malik?
- He's not here.
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Can you grab me the catalog?
by Nan Goldin?
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00:04:23,440 --> 00:04:25,839
I need it
for my visual references.
82
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- New work plan, 25-2.
- Latest version of the scenario to adapt.
83
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You can be at my house
between 3 p.m. and 7 p.m. today?
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I receive my new washing machine.
85
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After a week dressed like this, I stink.
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[upbeat music]
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[whistling]
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Hey, Noémie, congratulations!
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THANKS.
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- Well done for the audiences last night.
-Thank you, Malik.
91
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- How are you ?
- You should have stayed one more season.
92
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Had to hold me back.
93
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- Is it going well on Andréa's film?
- Yeah, it's an adventure.
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- Malik!
- A wonderful adventure. Yeah ?
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- Can I see the guns? THANKS.
- Of course, I'll bring this for you.
96
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- Are you okay, Noémie?
- Yes, Andrea.
97
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Oh dear, that makes me funny
to see you here every time.
98
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It's a big box, but still.
Me, who produces my successful series.
99
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You, who are going to direct your first film
with, I hope, as much success.
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- We follow each other, it's great.
- Yeah, it's so funny.
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- So, it's all from the period.
- Oh.
102
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- I'll let you see which one you like.
- Okay.
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Is your daughter okay?
What class is she in?
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CE1.
105
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Wow, CE1, it goes by too quickly.
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The .38 Special is too American.
107
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- It's very Clint Eastwood.
- Okay.
108
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You know it's me
who helped her give birth at ASK?
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I didn't have this information, no.
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- On the carpet, too!
- Good, Noémie!
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Wait, anyway,
It’s not trivial.
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She has a very toned uterus,
She didn't feel the contractions...
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Noémie, I'm overwhelmed,
I am undernourished.
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Stop debriefing
my uterus at the coffee machine
115
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for me to continue
to work with Malik.
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Of course. I understand.
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- THANKS. Him.
- Above all, don't hesitate to ask me.
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I have solid production experience.
119
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You know that my series is the leader
on the edge?
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4,500,000 viewers every evening.
121
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Congratulations.
122
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It’s thanks to EHPADs, right?
Who leave the TV on 24 hours a day.
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[sigh taken aback]
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- I'll take this one!
- [Malik] I'll leave it to you!
125
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- This is too short.
- Okay.
126
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That's too short, too soft, too blue.
127
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Okay.
128
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I like that.
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- Can I see her in real life?
- Of course, look.
130
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Yes, I like it a lot.
Okay. On the other hand, not the boots.
131
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- Oh, okay.
- No.
132
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What do you want, some food?
133
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Pumps,
five centimeters of heels, max.
134
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- Okay.
- Even ten, that suits me very well.
135
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Off-road.
136
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- Is that for the forest?
- Yeah.
137
00:06:54,760 --> 00:06:56,719
For what ? It's beautiful, isn't it?
138
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Yeah, it's a little too pretty.
It’s a bit of a Balenciaga ad, right?
139
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More Gucci.
140
00:07:01,640 --> 00:07:03,999
Yes, if you want,
but it's a bit pretty.
141
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Yes, but on Laetitia,
there is everything that looks super beautiful.
142
00:07:07,360 --> 00:07:11,039
No, but okay, but I mean,
she kills her husband at point blank range.
143
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Then,
she flees on the roads.
144
00:07:13,040 --> 00:07:16,039
She lives in a cabin,
we need something more heterogeneous,
145
00:07:16,040 --> 00:07:18,959
much more,
I don't know, bad match. Excuse me.
146
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We have to say to ourselves that she stole that
on a workers’ shack clothesline.
147
00:07:23,440 --> 00:07:24,999
I like that, for example.
148
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That's mine, Andréa.
149
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- To you?
- Yeah.
150
00:07:27,440 --> 00:07:30,080
You see, that's a bit nothing.
It's a bit...
151
00:07:30,600 --> 00:07:34,319
It has no shape.
It's not pretty, but that's what I like.
152
00:07:34,320 --> 00:07:36,799
- Would you like to try it?
- Yes, it's great.
153
00:07:36,800 --> 00:07:38,599
- Hey, are you okay?
- Hey, are you okay?
154
00:07:38,600 --> 00:07:39,759
Yeah.
155
00:07:39,760 --> 00:07:42,239
- Oh, cute.
- Oh! Be careful, she bites.
156
00:07:42,240 --> 00:07:43,960
- Ah, wow.
- Here, thank you. Okay.
157
00:07:44,480 --> 00:07:46,080
- It's not bad, right?
- I like beautiful…
158
00:07:47,560 --> 00:07:50,239
Oh, yeah.
It's a bit fair, isn't it, though?
159
00:07:50,240 --> 00:07:52,719
- A little.
- No, back then they wore tight.
160
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Didn't you get a little bit?
161
00:07:55,360 --> 00:07:59,239
- A kilo or two during the holidays.
- The holidays? But it's September.
162
00:07:59,240 --> 00:08:03,039
I find it interesting,
It gives it thickness, that’s good.
163
00:08:03,040 --> 00:08:04,879
Maybe I'll continue a little.
164
00:08:04,880 --> 00:08:07,439
It's the right thickness.
You have to be able to run.
165
00:08:07,440 --> 00:08:09,399
There is room.
And that ages me.
166
00:08:09,400 --> 00:08:11,440
- There’s no…
- They looked older than us.
167
00:08:12,000 --> 00:08:13,999
You don't have much room, Laurent.
168
00:08:14,000 --> 00:08:15,719
- Is that my gun?
- Yes.
169
00:08:15,720 --> 00:08:16,960
I'm trying something.
170
00:08:19,040 --> 00:08:20,799
- Wait.
- [costume designer] It doesn't work.
171
00:08:20,800 --> 00:08:22,080
Yes, it happens.
172
00:08:23,240 --> 00:08:25,360
You shouldn't tighten your belt like that.
173
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[Laurent forces]
174
00:08:29,240 --> 00:08:30,360
Hmm.
175
00:08:30,920 --> 00:08:32,719
[upbeat music]
176
00:08:32,720 --> 00:08:33,840
[Andréa] Ah, Mathias!
177
00:08:35,000 --> 00:08:36,919
Laurent really took it, did you see?
178
00:08:36,920 --> 00:08:38,679
- Hello, Andrea.
- Good morning.
179
00:08:38,680 --> 00:08:39,919
I didn't notice.
180
00:08:39,920 --> 00:08:42,239
- Isn't that a proposal for the role?
- No.
181
00:08:42,240 --> 00:08:44,399
- Oh.
- How are you ? What are you doing here?
182
00:08:44,400 --> 00:08:46,999
Small details to sort out
with your producer.
183
00:08:47,000 --> 00:08:49,759
Ah good ? An agent who moves,
It’s serious.
184
00:08:49,760 --> 00:08:50,999
I'll come with you.
185
00:08:51,000 --> 00:08:52,439
It's nothing, I assure you.
186
00:08:52,440 --> 00:08:55,079
It's just some downtime
by Laurent.
187
00:08:55,080 --> 00:08:57,759
- We'll find a solution.
- Ah good ? What kind?
188
00:08:57,760 --> 00:09:00,919
We will manage. You have a film to make.
Take care of the most important things.
189
00:09:00,920 --> 00:09:04,159
The work plan is important.
I know him, I can help you.
190
00:09:04,160 --> 00:09:05,439
I have produced 30 films.
191
00:09:05,440 --> 00:09:07,839
I know my job.
Trust me.
192
00:09:07,840 --> 00:09:10,319
This allows you to talk to me
like a limited intern?
193
00:09:10,320 --> 00:09:12,680
I had forgotten
that I was working with Kubrick.
194
00:09:13,280 --> 00:09:14,919
In any case, well done Andréa.
195
00:09:14,920 --> 00:09:17,799
It's brave,
this career change.
196
00:09:17,800 --> 00:09:20,280
It doesn't surprise me,
I knew your artistic soul.
197
00:09:22,640 --> 00:09:24,800
[inhales vape]
198
00:09:27,240 --> 00:09:28,320
Does he have another movie?
199
00:09:29,800 --> 00:09:30,919
Hmm ?
200
00:09:30,920 --> 00:09:32,919
He has to gain weight for the role.
201
00:09:32,920 --> 00:09:35,359
- Is that it?
- Don't panic, nothing incompatible.
202
00:09:35,360 --> 00:09:37,839
So it's just a slight overlap.
203
00:09:37,840 --> 00:09:40,360
Is it at the same time as my film?
Interesting.
204
00:09:40,880 --> 00:09:42,200
All right. It's what ?
205
00:09:42,800 --> 00:09:45,839
The new Wes Anderson.
An opera tenor, filming in Milan.
206
00:09:45,840 --> 00:09:48,279
And you didn't think
to keep me informed?
207
00:09:48,280 --> 00:09:50,719
You're so on edge
that it would have been worse.
208
00:09:50,720 --> 00:09:53,399
- Let us handle it…
- Stop explaining life to me!
209
00:09:53,400 --> 00:09:55,959
- We're getting angry.
- I've been working on it for five years.
210
00:09:55,960 --> 00:09:57,639
I wrote this role for Laurent,
211
00:09:57,640 --> 00:10:00,439
and you give me a paunchy actor
part-time.
212
00:10:00,440 --> 00:10:02,959
In addition to being incompetent,
you are dangerous.
213
00:10:02,960 --> 00:10:07,039
- You're going too far. Come back down.
- Stop. Don't talk to me again, okay?
214
00:10:07,040 --> 00:10:09,519
- Convenient for working together.
- That's no longer the case.
215
00:10:09,520 --> 00:10:11,559
- So. Boys club from my ass!
- Okay.
216
00:10:11,560 --> 00:10:13,439
Mature, this reaction. Mature.
217
00:10:13,440 --> 00:10:16,119
I see your finger,
It’s a bay window, dammit!
218
00:10:16,120 --> 00:10:18,839
I'm happy
to make Andréa's film, it's great.
219
00:10:18,840 --> 00:10:21,159
I've been training for a week
to sleep outside.
220
00:10:21,160 --> 00:10:23,999
- Well done.
- In the morning, I have steaks.
221
00:10:24,000 --> 00:10:25,599
And where do you train?
222
00:10:25,600 --> 00:10:27,920
In Corsica, in my village.
In the mountain.
223
00:10:28,680 --> 00:10:29,719
[Laetitia] Hmm.
224
00:10:29,720 --> 00:10:34,080
And if not, you wanted to see me
for a specific reason?
225
00:10:34,840 --> 00:10:37,920
I'm at a point in my career
where I have to make a decision.
226
00:10:39,320 --> 00:10:43,840
I need to take risks.
I feel alone in my choices.
227
00:10:45,560 --> 00:10:46,680
I'm changing agents.
228
00:10:48,040 --> 00:10:50,399
I'm sorry.
The decision was not easy.
229
00:10:50,400 --> 00:10:53,879
I spoke at length with Andréa,
and she understood the trick.
230
00:10:53,880 --> 00:10:55,079
You're great.
231
00:10:55,080 --> 00:10:58,479
There is no problem about that,
to defend contracts...
232
00:10:58,480 --> 00:11:01,919
There has never been a problem.
But there's more to life than money.
233
00:11:01,920 --> 00:11:03,240
I need…
234
00:11:04,000 --> 00:11:07,960
Impactful things as an actress.
I need to be surprised.
235
00:11:10,360 --> 00:11:13,640
We can know who will have the privilege
to surprise you?
236
00:11:14,440 --> 00:11:16,759
Yes, it's your daughter Camille.
237
00:11:16,760 --> 00:11:18,519
[melancholic music]
238
00:11:18,520 --> 00:11:22,039
She was trained by Andréa,
and she's cute.
239
00:11:22,040 --> 00:11:24,720
She is lively,
She's young, she's crazy.
240
00:11:25,960 --> 00:11:28,520
Really, this is what I needed.
241
00:11:29,720 --> 00:11:30,840
You can be proud.
242
00:11:31,440 --> 00:11:33,079
Was he nominated for a César?
243
00:11:33,080 --> 00:11:35,080
[woman] No, he's Norwegian,
it's the same.
244
00:11:36,840 --> 00:11:39,679
It's super courageous
for telling you it out loud.
245
00:11:39,680 --> 00:11:41,839
- [mocking sigh] Courageous?
- Yes.
246
00:11:41,840 --> 00:11:43,079
But you don't understand anything.
247
00:11:43,080 --> 00:11:46,159
Andrea manipulated her.
She's mad at me because of Laurent Lafitte.
248
00:11:46,160 --> 00:11:47,279
You're really naive.
249
00:11:47,280 --> 00:11:50,199
Or she wants someone
who understands it, who listens to it.
250
00:11:50,200 --> 00:11:52,239
Life is not
than a manipulation contest.
251
00:11:52,240 --> 00:11:55,480
You should have warned me.
We would have found a solution together.
252
00:11:56,400 --> 00:11:57,760
That's not what she wanted.
253
00:11:58,520 --> 00:12:00,439
She wanted a radical break.
254
00:12:00,440 --> 00:12:03,680
I wasn't going to lose a great talent.
You would have done the same thing.
255
00:12:05,520 --> 00:12:07,840
Betray my daughter? I don't think so, no.
256
00:12:09,160 --> 00:12:11,120
We don't have the same memories.
257
00:12:14,440 --> 00:12:18,439
I can't work with him anymore.
It's impossible. I have more confidence.
258
00:12:18,440 --> 00:12:21,839
I know him, Jérôme.
He's annoying, but he's not bad.
259
00:12:21,840 --> 00:12:23,480
Don't act bad,
go talk to him.
260
00:12:24,040 --> 00:12:25,519
No, I can't stand it anymore.
261
00:12:25,520 --> 00:12:27,560
Hearing his first name
makes my nose bleed.
262
00:12:28,360 --> 00:12:31,679
You're not going to start without a producer.
Eh ? It's too risky.
263
00:12:31,680 --> 00:12:34,000
No, I found someone else.
264
00:12:34,600 --> 00:12:35,440
How's that?
265
00:12:36,600 --> 00:12:37,919
Someone internally.
266
00:12:37,920 --> 00:12:39,400
[intriguing music]
267
00:12:41,760 --> 00:12:44,120
You knew that Eva Longoria
was a producer with us?
268
00:12:45,400 --> 00:12:47,160
She is looking for French projects.
269
00:12:48,760 --> 00:12:49,760
[in English] Eva?
270
00:12:50,680 --> 00:12:53,039
- Hi !
- Andrea, how are you?
271
00:12:53,040 --> 00:12:54,519
- And you ?
- GOOD.
272
00:12:54,520 --> 00:12:56,719
Yeah ?
Are you enjoying your new Parisian office?
273
00:12:56,720 --> 00:12:58,999
I love it!
You know how I love being here.
274
00:12:59,000 --> 00:13:00,839
Besides, I read your script.
275
00:13:00,840 --> 00:13:02,839
- Oh yes ? Really ?
- Yes. Hmm.
276
00:13:02,840 --> 00:13:05,199
- What did you think?
- Amazing.
277
00:13:05,200 --> 00:13:07,839
- No ? Did you like it?
- Yes, breathtaking!
278
00:13:07,840 --> 00:13:09,119
- No, really?
- Yes !
279
00:13:09,120 --> 00:13:11,359
- My God, this makes me so happy!
- Oh !
280
00:13:11,360 --> 00:13:13,399
The only thing I wondered...
281
00:13:13,400 --> 00:13:15,759
Why does this woman have to
kill her husband?
282
00:13:15,760 --> 00:13:17,719
It's getting so dark, so fast...
283
00:13:17,720 --> 00:13:20,119
And we're in the woods
for a very long time...
284
00:13:20,120 --> 00:13:22,039
The cabin, the mud…
285
00:13:22,040 --> 00:13:24,479
I would arrive earlier in Paris.
286
00:13:24,480 --> 00:13:26,159
- OK, yes, I understand.
- Yes.
287
00:13:26,160 --> 00:13:29,119
But that's the story
of a woman on the run.
288
00:13:29,120 --> 00:13:31,319
And you see,
she survives in the woods.
289
00:13:31,320 --> 00:13:34,439
And there she discovers her strength
through nature.
290
00:13:34,440 --> 00:13:36,959
- Yes.
- It’s… You see?
291
00:13:36,960 --> 00:13:40,359
Yes, but I believe
that she should find her strength in Paris.
292
00:13:40,360 --> 00:13:42,839
See? The magic of Paris.
293
00:13:42,840 --> 00:13:45,239
It's romantic, it's intriguing.
294
00:13:45,240 --> 00:13:46,799
This is what people want
295
00:13:46,800 --> 00:13:49,559
And if you need good screenwriters,
don't hesitate.
296
00:13:49,560 --> 00:13:51,319
I can give you some contacts.
297
00:13:51,320 --> 00:13:54,040
Yeah, okay. Thanks, Eva.
298
00:13:55,480 --> 00:13:58,999
[Andréa, in French] In fact,
I need someone who is malleable.
299
00:13:59,000 --> 00:14:01,319
It's not possible, reals like that!
300
00:14:01,320 --> 00:14:03,679
You pass it there
and you send it to everyone.
301
00:14:03,680 --> 00:14:05,839
[Arlette] Who doesn't stick their nose everywhere?
302
00:14:05,840 --> 00:14:09,279
I don't give a damn.
It's not complicated, otherwise, it's clear!
303
00:14:09,280 --> 00:14:11,240
[Andréa] Who would do what I tell them.
304
00:14:11,880 --> 00:14:13,640
[laughs]
305
00:14:14,240 --> 00:14:18,119
And the highlight of the show, wait…
306
00:14:18,120 --> 00:14:19,360
Hop, hop, hop!
307
00:14:20,000 --> 00:14:21,480
[Arlette] A straw man.
308
00:14:22,840 --> 00:14:25,440
- [Andréa] Who obeys me.
- And one for you! For your guy!
309
00:14:26,840 --> 00:14:27,840
Noémie?
310
00:14:28,360 --> 00:14:30,159
Noémie, can I talk to you?
311
00:14:30,160 --> 00:14:32,559
- Is it a party?
- Yeah !
312
00:14:32,560 --> 00:14:35,119
We outperform
for the third consecutive month,
313
00:14:35,120 --> 00:14:37,039
I wanted to give the teams a gift.
314
00:14:37,040 --> 00:14:38,679
Well, congratulations.
315
00:14:38,680 --> 00:14:41,079
Besides,
I wanted to apologize to you
316
00:14:41,080 --> 00:14:43,240
because I watched the series,
317
00:14:43,920 --> 00:14:46,320
and well done, I think it’s really good.
318
00:14:47,120 --> 00:14:49,519
Ah… Well thank you.
319
00:14:49,520 --> 00:14:52,640
Yeah, it's fresh, it's light, and then...
320
00:14:53,240 --> 00:14:55,199
All these colors feel good.
321
00:14:55,200 --> 00:14:58,919
All this yellow, this blue, this orange too.
322
00:14:58,920 --> 00:15:01,040
Oh yeah, life is so bleak.
323
00:15:02,600 --> 00:15:05,519
Do you want the contact details of my decor manager?
She's great.
324
00:15:05,520 --> 00:15:08,400
No, I wanted to propose to you
to be my producer.
325
00:15:10,440 --> 00:15:12,479
But… it’s not Jérôme?
326
00:15:12,480 --> 00:15:14,520
Well… Jérôme, he’s gray.
327
00:15:15,320 --> 00:15:16,560
And you…
328
00:15:18,040 --> 00:15:19,200
We know each other well.
329
00:15:19,760 --> 00:15:23,759
You have this playful nature that I love.
You're super good at logistics.
330
00:15:23,760 --> 00:15:26,759
- Wait, you love my playful nature?
- Yes.
331
00:15:26,760 --> 00:15:28,840
I love it, always have.
332
00:15:30,160 --> 00:15:33,079
And I often think about ASK,
and we're not going to lie to each other.
333
00:15:33,080 --> 00:15:35,559
It's still you
Who was running the house, right?
334
00:15:35,560 --> 00:15:37,200
Mathias, without you,
he was nothing.
335
00:15:40,640 --> 00:15:42,559
Listen, it's true that there,
336
00:15:42,560 --> 00:15:45,599
my authors are writing
of the next season.
337
00:15:45,600 --> 00:15:48,520
It would be perfect timing.
338
00:15:49,480 --> 00:15:53,840
Um… I kind of want to tell you banco.
339
00:15:54,360 --> 00:15:55,879
- Awesome.
- [Noémie laughs]
340
00:15:55,880 --> 00:15:56,959
Awesome!
341
00:15:56,960 --> 00:15:59,040
What do I start with?
Should I call your agent?
342
00:15:59,760 --> 00:16:01,759
- No need, it's me.
- Well yes!
343
00:16:01,760 --> 00:16:03,639
- You can call me…
- There you go!
344
00:16:03,640 --> 00:16:04,560
[they laugh]
345
00:16:05,440 --> 00:16:07,279
Okay, well then, let's go.
346
00:16:07,280 --> 00:16:08,399
Come on, let's go.
347
00:16:08,400 --> 00:16:10,679
Wait, this is incredible.
348
00:16:10,680 --> 00:16:14,680
Andréa Martel, Noémie Leclerc,
the shock tandem. Wow !
349
00:16:16,480 --> 00:16:18,600
[Noémie] I feel that she needs me.
350
00:16:19,240 --> 00:16:20,880
Well, from my experience.
351
00:16:21,840 --> 00:16:25,999
Really, it's strange to say,
but she's a little lost.
352
00:16:26,000 --> 00:16:28,639
See?
Even Andréa Martel needs help.
353
00:16:28,640 --> 00:16:30,120
[she laughs]
354
00:16:30,920 --> 00:16:32,679
At the same time, it's normal.
355
00:16:32,680 --> 00:16:36,359
It's a first feature,
It’s always very, very distressing.
356
00:16:36,360 --> 00:16:39,839
In addition, the film is ambitious,
it's a road movie.
357
00:16:39,840 --> 00:16:43,359
There are a lot of decorations.
It's happening in the South, by the way.
358
00:16:43,360 --> 00:16:44,840
I'm going to go shoot there.
359
00:16:45,440 --> 00:16:46,760
It's great, isn't it?
360
00:16:48,320 --> 00:16:50,839
Mathias! It's great, isn't it?
361
00:16:50,840 --> 00:16:51,760
[Mathias] Hmm.
362
00:16:54,800 --> 00:16:56,200
[annoyed sigh]
363
00:16:58,600 --> 00:17:01,280
Shall we go there?
Hey, can you help me, please?
364
00:17:01,800 --> 00:17:03,080
What evening is it?
365
00:17:03,680 --> 00:17:05,040
Well, the Kering party.
366
00:17:05,560 --> 00:17:06,880
The Kering evening.
367
00:17:07,480 --> 00:17:10,079
“Women in Motion.”
Women in cinema.
368
00:17:10,080 --> 00:17:14,879
Ah, yes, yes, well yes, well very good.
We're going, we're gone, come on.
369
00:17:14,880 --> 00:17:18,079
[jazzy music]
370
00:17:18,080 --> 00:17:20,280
[indistinct conversations]
371
00:17:28,480 --> 00:17:33,279
Oh, but Slyti!
But no, but that's not true! [laughs]
372
00:17:33,280 --> 00:17:36,479
- It's so nice! How are you ?
- Oh, but it's incredible.
373
00:17:36,480 --> 00:17:39,239
- Darling ? Darling ? I'm going to the bar.
- Oh dear, but…
374
00:17:39,240 --> 00:17:41,599
- I'm coming. I'm coming.
- While we're here...
375
00:17:41,600 --> 00:17:44,680
Oh well yes, yes, yes.
Before being a little too hydrated.
376
00:17:46,320 --> 00:17:47,920
- Hello, are you okay? Yeah.
- How are you ?
377
00:17:59,960 --> 00:18:01,879
You still don't talk to each other.
378
00:18:01,880 --> 00:18:04,959
- Because he works at Starmédia?
- He participated in the death of ASK.
379
00:18:04,960 --> 00:18:07,199
He wasn't the one who ruined ASK.
380
00:18:07,200 --> 00:18:10,479
No. He's not a Nazi,
he just works for the Third Reich.
381
00:18:10,480 --> 00:18:12,399
Me, I don't know, he touches me.
382
00:18:12,400 --> 00:18:15,159
He looks so bad
since Sofia left him.
383
00:18:15,160 --> 00:18:16,160
Karma.
384
00:18:16,800 --> 00:18:17,760
You're a monster.
385
00:18:19,000 --> 00:18:22,279
I received the new work plan.
It doesn't fit at all.
386
00:18:22,280 --> 00:18:23,359
I know.
387
00:18:23,360 --> 00:18:25,719
No, we have to postpone Andréa's film.
388
00:18:25,720 --> 00:18:26,960
It's impossible.
389
00:18:27,560 --> 00:18:31,199
Laetitia Casta leaves for an English series
right after filming.
390
00:18:31,200 --> 00:18:32,559
Ah, damn.
391
00:18:32,560 --> 00:18:34,560
[RandB background music]
392
00:18:36,560 --> 00:18:37,839
Did you do something?
393
00:18:37,840 --> 00:18:39,439
- How ?
- There, something.
394
00:18:39,440 --> 00:18:41,479
- No.
- Who is it ? Doctor Marchak?
395
00:18:41,480 --> 00:18:42,999
- Oh, no!
- Come on.
396
00:18:43,000 --> 00:18:45,120
- But no ! But finally!
- Mathias.
397
00:18:45,640 --> 00:18:46,640
Yeah.
398
00:18:51,080 --> 00:18:54,359
Personally,
I'm very annoyed by Andréa's film.
399
00:18:54,360 --> 00:18:55,440
How so ?
400
00:18:56,480 --> 00:18:59,799
- Laetitia is very fragile at the moment.
- Oh yes ?
401
00:18:59,800 --> 00:19:00,760
Hmm.
402
00:19:01,560 --> 00:19:04,799
And as Andrea is all the same
very complicated in the work…
403
00:19:04,800 --> 00:19:06,119
Oh good?
404
00:19:06,120 --> 00:19:08,400
I practiced it a lot,
I can tell you about it.
405
00:19:08,920 --> 00:19:10,599
Yeah, it's true that...
406
00:19:10,600 --> 00:19:14,119
She wasn't very open
to the proposals. A little stiff.
407
00:19:14,120 --> 00:19:16,080
- That's an understatement.
- Hmm.
408
00:19:16,920 --> 00:19:18,799
She doesn't really like men.
409
00:19:18,800 --> 00:19:21,920
All right. maybe that's it
that I felt, then.
410
00:19:25,640 --> 00:19:27,080
I can't handle this.
411
00:19:28,160 --> 00:19:29,639
It hurts me too much.
412
00:19:29,640 --> 00:19:31,840
That's why you have an agent.
413
00:19:33,880 --> 00:19:36,559
[RandB music continues]
414
00:19:36,560 --> 00:19:39,639
I told you, for once,
there are overtime hours, so you put…
415
00:19:39,640 --> 00:19:42,000
Plus two… Plus three, put plus three.
416
00:19:42,520 --> 00:19:43,520
That's it, thank you.
417
00:19:46,200 --> 00:19:47,639
- Hi.
- Hi.
418
00:19:47,640 --> 00:19:49,719
- She's coming, she's changing.
- Okay.
419
00:19:49,720 --> 00:19:52,559
She has a poem for Monday,
we have already made good progress.
420
00:19:52,560 --> 00:19:55,160
- But we should revise again.
- No problem.
421
00:19:55,760 --> 00:19:56,760
You…
422
00:19:58,120 --> 00:20:00,320
- Hello.
- Hi.
423
00:20:05,960 --> 00:20:10,599
Next week I would like
let's have a coffee before you leave.
424
00:20:10,600 --> 00:20:12,680
- To discuss.
- Yeah. What ?
425
00:20:13,560 --> 00:20:15,799
Important stuff for Flora.
426
00:20:15,800 --> 00:20:18,319
If it's important,
go now, right?
427
00:20:18,320 --> 00:20:21,880
We're not going to plan to talk
while we are talking.
428
00:20:22,480 --> 00:20:24,840
Um, okay. [clears throat]
429
00:20:25,680 --> 00:20:26,599
Uh…
430
00:20:26,600 --> 00:20:28,159
Well…
431
00:20:28,160 --> 00:20:30,760
Lucie has just received her transfer.
432
00:20:31,400 --> 00:20:32,640
In Nantes.
433
00:20:33,160 --> 00:20:34,160
It's great.
434
00:20:35,440 --> 00:20:36,719
- Yes.
- Yes.
435
00:20:36,720 --> 00:20:38,000
So, I would like…
436
00:20:39,560 --> 00:20:41,559
We spotted a house with a garden,
437
00:20:41,560 --> 00:20:45,600
so it would be good for Flora
in terms of stability, quality of life…
438
00:20:47,280 --> 00:20:50,359
But you could see her on the weekends,
and then the holidays…
439
00:20:50,360 --> 00:20:54,280
You said to yourself that a garden was better
for Flora than seeing her own mother?
440
00:20:55,120 --> 00:20:57,839
You are right,
a garden, a mother, it's the same.
441
00:20:57,840 --> 00:20:59,439
Why bother?
442
00:20:59,440 --> 00:21:00,999
I am his mother too.
443
00:21:01,000 --> 00:21:03,799
It would give you more freedom
to make your films.
444
00:21:03,800 --> 00:21:05,479
It's for my own good, right?
445
00:21:05,480 --> 00:21:08,759
You are taking my daughter away from me,
but it's because it's better for me.
446
00:21:08,760 --> 00:21:11,039
She is with me
three quarters of the time.
447
00:21:11,040 --> 00:21:15,399
I don't give a damn about Lucie, there,
she has her transfer to Nantes.
448
00:21:15,400 --> 00:21:17,360
How does this concern my daughter?
449
00:21:18,200 --> 00:21:20,959
She just has to go to Nantes
and come back on the weekend.
450
00:21:20,960 --> 00:21:23,839
We have common projects.
I know you don't understand.
451
00:21:23,840 --> 00:21:25,000
Mom !
452
00:21:25,600 --> 00:21:26,480
My love.
453
00:21:27,000 --> 00:21:29,480
- Have you seen my new water bottle?
- She's great.
454
00:21:30,000 --> 00:21:31,399
Lucie gave it to me.
455
00:21:31,400 --> 00:21:32,999
[Andréa coughs]
456
00:21:33,000 --> 00:21:34,200
Are you okay, mom?
457
00:21:34,720 --> 00:21:35,720
Yes, it's okay.
458
00:21:37,800 --> 00:21:39,959
- Didn't you have any recess?
- No.
459
00:21:39,960 --> 00:21:41,960
[melancholic music]
460
00:21:42,880 --> 00:21:45,999
Well, I'll give you a word.
Didn't you speak?
461
00:21:46,000 --> 00:21:47,520
No, I didn't speak.
462
00:21:48,600 --> 00:21:50,200
- At all?
- At all.
463
00:21:50,760 --> 00:21:52,559
[together] Chi-fou-mi!
464
00:21:52,560 --> 00:21:54,839
- Chi-fou-mi!
- [clicking]
465
00:21:54,840 --> 00:21:57,440
- Let's see, I'd like to drink some coffee.
- Well no.
466
00:21:58,400 --> 00:22:01,280
- I love coffee!
- Well, you're right, then.
467
00:22:02,000 --> 00:22:03,880
Will you have some steak with it?
468
00:22:04,480 --> 00:22:06,479
Ducks would love onions.
469
00:22:06,480 --> 00:22:08,120
Which is very true.
470
00:22:13,320 --> 00:22:14,720
It's long, three minutes.
471
00:22:21,400 --> 00:22:23,040
[music stops]
472
00:22:23,760 --> 00:22:26,959
[whispers] Mom?
I can't sleep.
473
00:22:26,960 --> 00:22:28,039
Me neither.
474
00:22:28,040 --> 00:22:29,880
[melancholy music resumes]
475
00:22:47,560 --> 00:22:49,560
[music stops]
476
00:22:51,720 --> 00:22:52,960
[Andréa] Ah.
477
00:22:55,200 --> 00:22:56,839
You're a queen for coming.
478
00:22:56,840 --> 00:22:59,559
Legally,
Can Colette take him to Nantes?
479
00:22:59,560 --> 00:23:01,359
Not without your consent.
480
00:23:01,360 --> 00:23:02,439
You can object to it,
481
00:23:02,440 --> 00:23:05,359
if you can't find
amicable compromise,
482
00:23:05,360 --> 00:23:07,160
you can go before the judge.
483
00:23:08,280 --> 00:23:09,879
How long have you been separated?
484
00:23:09,880 --> 00:23:12,160
So, we have always been in crisis.
485
00:23:12,960 --> 00:23:15,359
But officially, for six months.
486
00:23:15,360 --> 00:23:19,039
She got back together straight away with someone else,
she can't live alone.
487
00:23:19,040 --> 00:23:20,679
And financially, are you okay?
488
00:23:20,680 --> 00:23:24,159
Yeah, it's okay. It's... It's okay.
489
00:23:24,160 --> 00:23:27,199
Since my career change,
I live on my savings.
490
00:23:27,200 --> 00:23:32,039
Producers always pay late,
so I'm chasing money a little.
491
00:23:32,040 --> 00:23:35,200
But normally, when the film comes out,
I should be bailed out.
492
00:23:39,280 --> 00:23:40,560
Do I have a lousy record?
493
00:23:41,320 --> 00:23:43,760
A little, but you will succeed in your film.
494
00:23:44,280 --> 00:23:47,080
OK? You're going to show them that you're strong.
495
00:23:47,800 --> 00:23:49,240
And you're going to keep your kid.
496
00:23:52,840 --> 00:23:56,479
I did everything to convince Laurent,
but he doesn't want to know anything.
497
00:23:56,480 --> 00:23:59,799
As soon as you say "Hollywood",
the actors lose common sense.
498
00:23:59,800 --> 00:24:03,919
He plants a main role with Andréa
for a crappy supporting role?
499
00:24:03,920 --> 00:24:06,799
He only has four days of filming.
He doesn't care about us.
500
00:24:06,800 --> 00:24:11,119
Yes, but four very spread out days,
you know the Americans.
501
00:24:11,120 --> 00:24:13,759
They demand exclusivity
throughout filming.
502
00:24:13,760 --> 00:24:17,519
Contact legal as soon as possible,
what do you want me to tell you?
503
00:24:17,520 --> 00:24:20,039
But like Laurent
did not validate his costumes,
504
00:24:20,040 --> 00:24:22,359
technically,
there is no breach of contract.
505
00:24:22,360 --> 00:24:23,319
I know, thank you.
506
00:24:23,320 --> 00:24:25,759
Okay, I'll let you see that with Noémie.
507
00:24:25,760 --> 00:24:29,200
She is in charge
of the production of the film, you know that?
508
00:24:29,880 --> 00:24:31,639
Mathias, do you know?
509
00:24:31,640 --> 00:24:33,439
- Yes, you know that.
-Yes, of course.
510
00:24:33,440 --> 00:24:36,759
Come on, Mathias, I'll leave you,
I think we're all tired.
511
00:24:36,760 --> 00:24:38,760
- But what a pain in the ass!
- [tone]
512
00:24:39,880 --> 00:24:42,400
[melancholic music]
513
00:24:44,400 --> 00:24:46,040
- What?
- [Matthias] Yes.
514
00:24:46,600 --> 00:24:48,839
But it's not okay, but who does that?
515
00:24:48,840 --> 00:24:51,119
Who does he think he is,
that bastard Lafitte?
516
00:24:51,120 --> 00:24:54,879
I know, I did everything I could,
but he doesn't want to hear anything.
517
00:24:54,880 --> 00:24:56,679
- It's going to be okay, right?
- Well no.
518
00:24:56,680 --> 00:24:59,519
But if you find a solution,
my little cork.
519
00:24:59,520 --> 00:25:01,360
- [she sighs]
- Here, look.
520
00:25:05,280 --> 00:25:09,760
- Do you make Burgundy?
- Yes, to comfort you. Feel it for me.
521
00:25:11,360 --> 00:25:12,599
Mmm…
522
00:25:12,600 --> 00:25:14,160
Oh yeah, that looks delicious.
523
00:25:16,600 --> 00:25:17,600
THANKS.
524
00:25:19,080 --> 00:25:20,400
Luckily you're here.
525
00:25:23,040 --> 00:25:24,400
[notification]
526
00:25:25,280 --> 00:25:26,280
Ah, well…
527
00:25:32,920 --> 00:25:33,920
Wait…
528
00:25:35,080 --> 00:25:37,400
Did you advise him to leave the film?
529
00:25:38,040 --> 00:25:41,599
No, he asked me for contact details
a doctor for his mother.
530
00:25:41,600 --> 00:25:44,800
- Ah good ? And what's wrong with her?
- Something on the knee, I think.
531
00:25:45,520 --> 00:25:48,200
You're lying!
But you lie so much, but it's...
532
00:25:49,160 --> 00:25:53,120
Did you torpedo my first movie?
But you're sick!
533
00:25:54,520 --> 00:25:55,520
Listen…
534
00:25:56,120 --> 00:25:59,319
The situation escaped me slightly,
but we will… I will everything…
535
00:25:59,320 --> 00:26:00,879
What's your problem?
536
00:26:00,880 --> 00:26:04,159
You can't stand
that I'm progressing, right? Eh ?
537
00:26:04,160 --> 00:26:07,039
You want me to stay
the nice little secretary?
538
00:26:07,040 --> 00:26:10,119
Listen, Noémie, I know,
This is going to seem completely crazy to you.
539
00:26:10,120 --> 00:26:12,999
But… [stammers] But I forgot!
540
00:26:13,000 --> 00:26:16,359
I completely forgot
that you were producing the film.
541
00:26:16,360 --> 00:26:19,840
- I saw you working on your series…
- Have you forgotten me?
542
00:26:22,040 --> 00:26:23,279
[muffled sob]
543
00:26:23,280 --> 00:26:24,600
Wow!
544
00:26:32,880 --> 00:26:35,000
[she walks away]
545
00:26:40,720 --> 00:26:43,040
[scary music]
546
00:26:56,360 --> 00:26:57,360
Alas…
547
00:27:00,200 --> 00:27:02,760
from everything I've read
in history,
548
00:27:03,560 --> 00:27:06,120
or learned, by hearsay,
549
00:27:11,200 --> 00:27:14,400
true love
never took an easy course.
550
00:27:22,800 --> 00:27:25,879
[music gets louder]
551
00:27:25,880 --> 00:27:26,959
[he blows]
552
00:27:26,960 --> 00:27:28,159
[music drops]
553
00:27:28,160 --> 00:27:32,000
[applause and cheers]
554
00:27:35,080 --> 00:27:36,120
[woman] Well done!
555
00:27:38,880 --> 00:27:39,880
Well done !
556
00:27:45,600 --> 00:27:46,959
[growls]
557
00:27:46,960 --> 00:27:48,480
Because actually…
558
00:27:49,960 --> 00:27:52,040
I'm not a real person for him.
559
00:27:52,920 --> 00:27:57,479
Actually I'm just a lady
who runs the house,
560
00:27:57,480 --> 00:28:00,200
with whom he sleeps for free,
561
00:28:00,720 --> 00:28:02,240
from time to time.
562
00:28:03,120 --> 00:28:07,920
I think he's completely missing the point.
of who I really am. It's astonishing.
563
00:28:08,520 --> 00:28:10,839
Why do we persist?
to love them again?
564
00:28:10,840 --> 00:28:12,640
- Open question.
- Hmm.
565
00:28:15,080 --> 00:28:16,640
Are things not going well with Ludovic?
566
00:28:17,760 --> 00:28:19,440
He left me last weekend
567
00:28:20,920 --> 00:28:22,880
for a 22-year-old apprentice pastry chef.
568
00:28:23,480 --> 00:28:24,480
No !
569
00:28:25,400 --> 00:28:27,319
But what a dirty piece of shit.
570
00:28:27,320 --> 00:28:31,279
And you have to play with him every night,
but it's horrible!
571
00:28:31,280 --> 00:28:33,519
He is the director of the play.
572
00:28:33,520 --> 00:28:35,439
He gave himself the main role.
573
00:28:35,440 --> 00:28:39,319
So yeah, it's horrible.
It's a form of medieval torture.
574
00:28:39,320 --> 00:28:42,040
Hervé? You find us at home
for the notes?
575
00:28:42,680 --> 00:28:43,680
Oh no.
576
00:28:44,840 --> 00:28:46,399
Oh no, I can't take it anymore.
577
00:28:46,400 --> 00:28:49,319
- Pardon ?
- I'm with my friend, I can't take it anymore.
578
00:28:49,320 --> 00:28:51,999
And above all, I want more
of your judgments on me.
579
00:28:52,000 --> 00:28:54,439
Stop dramatizing everything,
we have work there.
580
00:28:54,440 --> 00:28:56,039
Well, you go to work.
581
00:28:56,040 --> 00:29:00,560
But without me. Tomorrow you will have to find
someone else to play Lysander.
582
00:29:01,640 --> 00:29:03,719
Goodbye, Ludovic.
583
00:29:03,720 --> 00:29:05,920
[groans in pain]
584
00:29:09,040 --> 00:29:10,520
It's going to be okay, it's going to be okay.
585
00:29:11,040 --> 00:29:14,120
I don't know if I'm relieved
or on the verge of suicide.
586
00:29:14,640 --> 00:29:17,000
I'm staying with you tonight, huh?
587
00:29:20,600 --> 00:29:24,759
I just ruined my intermission.
I won't have enough to make it through the year.
588
00:29:24,760 --> 00:29:25,999
Oh, no!
589
00:29:26,000 --> 00:29:28,160
Yes, too bad.
590
00:29:28,680 --> 00:29:31,239
I will be free and ruined, that's it.
591
00:29:31,240 --> 00:29:32,760
I'm going to start all over again,
592
00:29:33,280 --> 00:29:34,840
like Oscar Wilde.
593
00:29:36,200 --> 00:29:39,640
Don't worry, I'll find you
small figurative stamps.
594
00:29:40,280 --> 00:29:41,239
Eh ?
595
00:29:41,240 --> 00:29:45,039
As a major producer,
I can do a lot for you, my little one.
596
00:29:45,040 --> 00:29:48,200
I'm going to make you a star.
597
00:29:49,040 --> 00:29:52,119
- That's right, would you do that?
- But obviously, finally!
598
00:29:52,120 --> 00:29:53,880
- Thank you, my sweet.
- Well !
599
00:29:54,400 --> 00:29:56,879
- You know, I take everything.
- Well yes.
600
00:29:56,880 --> 00:29:58,239
Extras…
601
00:29:58,240 --> 00:30:01,999
Silhouettes, small roles,
supporting roles, major roles…
602
00:30:02,000 --> 00:30:05,119
Why wouldn't I replace Lafitte
in Andréa's film?
603
00:30:05,120 --> 00:30:10,319
Yes. Well listen, wait first
that I tell him because…
604
00:30:10,320 --> 00:30:12,959
Why haven't you done it already?
But you're crazy!
605
00:30:12,960 --> 00:30:15,879
No, I'll tell him tomorrow.
There she must sleep.
606
00:30:15,880 --> 00:30:19,199
If she finds out you have the information
for more than 12 hours,
607
00:30:19,200 --> 00:30:21,119
she will tear you apart with her bare hands.
608
00:30:21,120 --> 00:30:23,280
Call her!
We have to pull out the thorn there!
609
00:30:23,880 --> 00:30:26,119
- I'll text him.
- No, you call him.
610
00:30:26,120 --> 00:30:28,359
Especially when you have bad news
to announce,
611
00:30:28,360 --> 00:30:30,559
we must help others to put things into perspective.
612
00:30:30,560 --> 00:30:33,959
You say to him: "OK, it's horrible,
but it could be much worse.”
613
00:30:33,960 --> 00:30:36,719
This is what she needs to hear.
I'll take your bag.
614
00:30:36,720 --> 00:30:37,720
You're right.
615
00:30:38,560 --> 00:30:41,279
You're right. Come on. Come on !
616
00:30:41,280 --> 00:30:43,120
Right away ! Right away !
617
00:30:45,120 --> 00:30:46,280
Answering machine.
618
00:30:49,000 --> 00:30:51,000
[in a soft voice] Yes, good evening, Andréa.
619
00:30:51,840 --> 00:30:53,839
Today, in France,
620
00:30:53,840 --> 00:30:57,199
ten million people live
below the poverty line.
621
00:30:57,200 --> 00:31:01,119
Every night,
300,000 people sleep outside.
622
00:31:01,120 --> 00:31:03,999
Without anything.
Without mattress. Without heat.
623
00:31:04,000 --> 00:31:06,839
Hospitals are out of money
to heal people.
624
00:31:06,840 --> 00:31:11,080
Elephants, bonobos, gorillas,
manatees are endangered.
625
00:31:11,880 --> 00:31:14,439
On the other hand,
Laurent Lafitte will not make the film.
626
00:31:14,440 --> 00:31:16,879
He preferred to go on the Wes Anderson.
627
00:31:16,880 --> 00:31:21,479
It's not very pleasant to hear,
but in view of global catastrophes,
628
00:31:21,480 --> 00:31:23,559
I suggest we put things into perspective…
629
00:31:23,560 --> 00:31:25,799
[Andrea screams]
630
00:31:25,800 --> 00:31:27,920
[muffled cry]
631
00:31:31,920 --> 00:31:34,639
So, results of the races,
632
00:31:34,640 --> 00:31:39,039
I asked all the agents in Paris
the availability of bankable players.
633
00:31:39,040 --> 00:31:41,280
And so, would be free in 12 days,
634
00:31:42,400 --> 00:31:45,880
Gérard Depardieu,
whose career you could relaunch,
635
00:31:46,920 --> 00:31:49,240
and Tibo InShape.
636
00:31:51,960 --> 00:31:56,480
There you go, I put it in black and white for you,
this way you can dream about these proposals.
637
00:32:01,560 --> 00:32:02,919
Andrea.
638
00:32:02,920 --> 00:32:06,599
Andrea, don't forget,
what doesn't kill you makes you stronger.
639
00:32:06,600 --> 00:32:08,879
No, Noémie,
what doesn't kill you hurts you.
640
00:32:08,880 --> 00:32:12,320
I have more actors, more film
no funding, we lose everything!
641
00:32:15,400 --> 00:32:18,079
- So, listen. Uh…
- [bubbles in water]
642
00:32:18,080 --> 00:32:21,400
Otherwise, well, it's a little blurry,
but I'm telling you anyway.
643
00:32:22,400 --> 00:32:24,200
Possibly Vincent Macaigne.
644
00:32:26,280 --> 00:32:28,079
Why “blurry”?
I like him.
645
00:32:28,080 --> 00:32:31,959
The girl from Starmédia told me
that he was in question mark,
646
00:32:31,960 --> 00:32:35,399
but I can call Gabriel
to ask for more details.
647
00:32:35,400 --> 00:32:37,359
Is this Gabriel, his agent?
Let go.
648
00:32:37,360 --> 00:32:40,039
Andrea, you can't
remain a prisoner of your resentment.
649
00:32:40,040 --> 00:32:42,160
Rather die than give him 10%.
650
00:32:43,560 --> 00:32:45,280
- [notification]
- [Noémie sighs]
651
00:32:48,280 --> 00:32:49,280
Oh damn.
652
00:32:50,200 --> 00:32:51,959
Oh damn.
653
00:32:51,960 --> 00:32:53,799
Oh damn!
654
00:32:53,800 --> 00:32:57,279
What ? Oh no,
don't tell me that Laetitia Casta is leaving too?
655
00:32:57,280 --> 00:33:01,280
You're done with your little list
narrow French-French?
656
00:33:03,320 --> 00:33:05,439
Because I have an appointment
with George Clooney.
657
00:33:05,440 --> 00:33:06,280
[Noémie exclaims]
658
00:33:07,880 --> 00:33:11,799
Dujardin organized a meeting for me.
He's in Paris, I didn't believe it.
659
00:33:11,800 --> 00:33:14,719
Um... But we don't have the means at all...
660
00:33:14,720 --> 00:33:18,880
If there's Clooney, it's more of a movie
at 4 million, but a film at 15 million!
661
00:33:19,960 --> 00:33:22,320
Obviously. Oh, you're crazy!
662
00:33:23,560 --> 00:33:24,599
[Noémie shouts]
663
00:33:24,600 --> 00:33:27,519
Mathias' head
when he sees Clooney on the poster!
664
00:33:27,520 --> 00:33:30,679
And Laurent Lafitte,
he's not going to choke in his seum?
665
00:33:30,680 --> 00:33:31,599
[screams]
666
00:33:31,600 --> 00:33:35,439
We're going to get George Clooney,
bunch of idiots!
667
00:33:35,440 --> 00:33:39,159
Hey, they don't know who we are!
We're like that, bam, bam!
668
00:33:39,160 --> 00:33:40,079
Oh yeah!
669
00:33:40,080 --> 00:33:42,439
The sky is the limit! Yeah!
670
00:33:42,440 --> 00:33:43,799
Yeah, guys!
671
00:33:43,800 --> 00:33:47,240
- OK, will you let me handle it now?
- Yeah, you manage, bam, bam!
672
00:33:48,360 --> 00:33:50,999
- Are you going out?
- Yeah, I'll call George Clooney.
673
00:33:51,000 --> 00:33:54,879
- It's more serious if the production calls him.
- No, it's better that you don't get involved.
674
00:33:54,880 --> 00:33:55,880
I'll take care of it.
675
00:33:57,560 --> 00:33:58,560
Got it.
676
00:33:59,320 --> 00:34:01,960
[resolved version of theme]
677
00:34:33,560 --> 00:34:36,079
Hello. I have an appointment
with Mr. Clooney.
678
00:34:36,080 --> 00:34:37,440
Yes, of course, follow me.
679
00:34:40,560 --> 00:34:42,440
- This way.
- THANKS.
680
00:34:45,000 --> 00:34:46,200
Hello, Mr. Clooney.
681
00:34:46,880 --> 00:34:48,679
[in English] Call me George.
682
00:34:48,680 --> 00:34:49,759
- Oh, George.
- Yes.
683
00:34:49,760 --> 00:34:51,759
- It sounds better with you.
-George Clooney.
684
00:34:51,760 --> 00:34:54,319
- Do you like it?
- Even better! Settle down.
685
00:34:54,320 --> 00:34:59,599
- THANKS.
- Jean told me that you were his agent.
686
00:34:59,600 --> 00:35:00,959
[in French] No, thank you.
687
00:35:00,960 --> 00:35:01,999
[in English] I was.
688
00:35:02,000 --> 00:35:05,279
He also said that you threatened
to kidnap his dog,
689
00:35:05,280 --> 00:35:06,759
if we didn't have an appointment...
690
00:35:06,760 --> 00:35:10,359
No, that's not true. I simply said
that I knew where to find the dog…
691
00:35:10,360 --> 00:35:11,639
[Andréa laughs]
692
00:35:11,640 --> 00:35:13,840
- So…
- Wait. Thank you for having me.
693
00:35:15,400 --> 00:35:17,039
Do you like olive oil?
694
00:35:17,040 --> 00:35:18,720
- Yes.
- Good.
695
00:35:19,240 --> 00:35:21,919
I would like you to taste this.
696
00:35:21,920 --> 00:35:25,079
She comes from our farm in the Var,
697
00:35:25,080 --> 00:35:28,359
and I pressed it myself.
698
00:35:28,360 --> 00:35:29,359
Oh, great.
699
00:35:29,360 --> 00:35:30,679
I love olive oil.
700
00:35:30,680 --> 00:35:31,960
[George] Hmm.
701
00:35:39,200 --> 00:35:40,200
SO ?
702
00:35:42,720 --> 00:35:44,919
- That's interesting.
- Hmm.
703
00:35:44,920 --> 00:35:45,920
She has…
704
00:35:47,240 --> 00:35:48,840
lots of character.
705
00:35:49,480 --> 00:35:50,800
You can be honest.
706
00:35:52,720 --> 00:35:54,279
Well, it’s not…
707
00:35:54,280 --> 00:35:55,359
awesome.
708
00:35:55,360 --> 00:35:56,280
Not great?
709
00:35:57,720 --> 00:36:00,880
- No, I'm sorry.
- It's really disgusting, isn't it?
710
00:36:03,040 --> 00:36:04,559
It's horrible.
711
00:36:04,560 --> 00:36:06,959
I make my friends taste it
for months!
712
00:36:06,960 --> 00:36:10,359
Everyone tells me it's delicious.
It looks like motor oil.
713
00:36:10,360 --> 00:36:12,439
It's worse,
I won't torture my car with this.
714
00:36:12,440 --> 00:36:14,959
Sorry. You see,
no one tells me the truth.
715
00:36:14,960 --> 00:36:17,599
Andrea,
after 40 years in this industry…
716
00:36:17,600 --> 00:36:19,520
They think
that I would refuse their projects…
717
00:36:21,160 --> 00:36:23,519
- Here. Take this…
- Thank you.
718
00:36:23,520 --> 00:36:25,199
-Thank you, George.
- Move on.
719
00:36:25,200 --> 00:36:26,319
- You are welcome.
- Okay.
720
00:36:26,320 --> 00:36:29,559
Okay, tell me about your film.
721
00:36:29,560 --> 00:36:30,600
THANKS.
722
00:36:32,280 --> 00:36:34,559
It's the story of a man, a cop,
723
00:36:34,560 --> 00:36:38,080
who tracks down a woman on the run
with whom he gradually falls in love.
724
00:36:38,520 --> 00:36:39,599
Uh…
725
00:36:39,600 --> 00:36:41,839
- It's a true story. Hmm.
- Oh?
726
00:36:41,840 --> 00:36:44,919
It’s a very solid production, and…
727
00:36:44,920 --> 00:36:48,199
I know you are interested
by French auteur cinema,
728
00:36:48,200 --> 00:36:51,359
and I think it's the movie
to get you started.
729
00:36:51,360 --> 00:36:54,559
Well, I'm very interested,
That sounds exciting to me...
730
00:36:54,560 --> 00:36:56,879
- French cinema interests me.
- Oh, no.
731
00:36:56,880 --> 00:36:59,599
Hello, Mr. Clooney!
732
00:36:59,600 --> 00:37:01,639
Excuse me for interrupting you.
733
00:37:01,640 --> 00:37:04,640
I am Noémie Leclerc,
the producer of the film.
734
00:37:05,240 --> 00:37:07,559
Noémie!
Call me George, please.
735
00:37:07,560 --> 00:37:09,920
[in French] With pleasure, George!
Um, “George.”
736
00:37:11,440 --> 00:37:12,760
[in English] My producer.
737
00:37:13,400 --> 00:37:15,999
And I produce Les Collègues,
738
00:37:16,000 --> 00:37:20,359
a successful, very funny sitcom…
739
00:37:20,360 --> 00:37:23,239
- Maybe you know?
- Colleagues?
740
00:37:23,240 --> 00:37:26,079
- Colleagues? Yes of course !
- Yes !
741
00:37:26,080 --> 00:37:27,879
Ah! You know!
742
00:37:27,880 --> 00:37:30,119
- Of course.
- How do you say…
743
00:37:30,120 --> 00:37:32,440
- [in French] “Leader on the edge”?
- Let go.
744
00:37:33,080 --> 00:37:37,199
[in English] George, Andréa and me,
we are “like that”.
745
00:37:37,200 --> 00:37:39,959
- Really ?
- We've been working together for a long time.
746
00:37:39,960 --> 00:37:41,359
Noémie, thank you.
747
00:37:41,360 --> 00:37:44,479
George and I
we were discussing the film.
748
00:37:44,480 --> 00:37:46,479
- Yes.
- Oh, it's incredible!
749
00:37:46,480 --> 00:37:51,359
Yesterday your film was shown
on French TV, with Jean Dujardin.
750
00:37:51,360 --> 00:37:54,439
- Amazing ! Yesterday ! It's a sign!
- Yes, Monuments Men!
751
00:37:54,440 --> 00:37:56,359
- Yes !
- It was a long time ago.
752
00:37:56,360 --> 00:37:58,039
How has it aged?
Sit down!
753
00:37:58,040 --> 00:37:59,719
- She's in a hurry...
- Thank you!
754
00:37:59,720 --> 00:38:02,599
- She can't...
- Yes, of course! I can !
755
00:38:02,600 --> 00:38:04,999
- I have five minutes.
- Perfect !
756
00:38:05,000 --> 00:38:06,880
- So, Noémie…
- Yes?
757
00:38:07,720 --> 00:38:12,120
Tell me, has the film aged well?
People think I'm too sensitive.
758
00:38:14,240 --> 00:38:15,720
Yes, I see...
759
00:38:16,920 --> 00:38:17,920
So…
760
00:38:19,120 --> 00:38:20,280
That's good.
761
00:38:20,840 --> 00:38:23,680
- Finally, you are good.
- And there you have it…
762
00:38:24,800 --> 00:38:27,400
Incredibly good, wonderful!
763
00:38:29,000 --> 00:38:32,200
And the film, uh...
764
00:38:32,720 --> 00:38:36,759
I liked it,
but I found it a little slow.
765
00:38:36,760 --> 00:38:38,239
[George] Hmm?
766
00:38:38,240 --> 00:38:41,039
[Andréa] She doesn't really like
war films.
767
00:38:41,040 --> 00:38:44,879
- It's okay, let her talk.
- Finally, it's normal!
768
00:38:44,880 --> 00:38:47,479
War is heavy.
769
00:38:47,480 --> 00:38:50,759
It's long and a bit boring.
770
00:38:50,760 --> 00:38:52,239
[she laughs]
771
00:38:52,240 --> 00:38:53,959
Wow! Wow !
772
00:38:53,960 --> 00:38:57,159
But you have nothing to do with it!
It's the director's fault!
773
00:38:57,160 --> 00:38:59,079
- Well…
- You were great!
774
00:38:59,080 --> 00:39:02,039
- I realized it, so…
- Yes! Yes !
775
00:39:02,040 --> 00:39:04,679
- Okay, so for this film…
- Yes.
776
00:39:04,680 --> 00:39:09,799
No, it's very well done.
I think it's a writing problem.
777
00:39:09,800 --> 00:39:11,720
Well,
I also wrote the screenplay.
778
00:39:12,360 --> 00:39:13,519
[George laughs]
779
00:39:13,520 --> 00:39:17,519
- No, sorry, my English is bad…
- [in French] I beg you, shut up.
780
00:39:17,520 --> 00:39:21,199
- I'm getting tangled in my cellar... Brain.
- I beg you, be quiet. Stop.
781
00:39:21,200 --> 00:39:23,200
Um, I think...
782
00:39:23,800 --> 00:39:26,400
The problem is just the ending.
783
00:39:27,120 --> 00:39:31,839
You see, the old man
which represents you 30 years later,
784
00:39:31,840 --> 00:39:33,520
who arrives in the light...
785
00:39:34,160 --> 00:39:35,960
It's a bit "too much".
786
00:39:37,280 --> 00:39:38,560
He's my father.
787
00:39:40,120 --> 00:39:41,560
My real father.
788
00:39:43,840 --> 00:39:45,920
I made this movie
to pay tribute to him.
789
00:39:50,120 --> 00:39:51,360
- Yes…
- Oh.
790
00:39:51,880 --> 00:39:52,880
Yes.
791
00:39:55,640 --> 00:39:58,439
[in French] I didn't know
that he had made this film!
792
00:39:58,440 --> 00:40:02,200
I went to get some chocolate
right at the opening credits, sorry!
793
00:40:02,760 --> 00:40:05,359
But you know what?
It's a blessing in disguise.
794
00:40:05,360 --> 00:40:08,079
I think that there,
we touched a susceptibility,
795
00:40:08,080 --> 00:40:10,079
it would have been complicated
on the board.
796
00:40:10,080 --> 00:40:12,519
Andrea, listen to me. Listen to me.
We'll find it.
797
00:40:12,520 --> 00:40:15,199
I know what we are capable of,
both.
798
00:40:15,200 --> 00:40:16,960
We are warriors, together.
799
00:40:17,760 --> 00:40:19,919
Go be a warrior in your office,
800
00:40:19,920 --> 00:40:22,119
with your underwear,
your mugs and your caps,
801
00:40:22,120 --> 00:40:23,640
and you let me do it, understand?
802
00:40:24,680 --> 00:40:27,040
[melancholic music]
803
00:40:38,520 --> 00:40:39,679
Did you want to see me?
804
00:40:39,680 --> 00:40:42,199
Sit down.
I have something to offer you.
805
00:40:42,200 --> 00:40:45,480
A big bonus and a vacation
very far from you? I'll take it straight.
806
00:40:48,640 --> 00:40:49,680
I would like,
807
00:40:50,280 --> 00:40:53,360
finally, I want, even,
that you become a partner of Starmédia.
808
00:40:53,920 --> 00:40:56,999
I thought I wasn't voracious enough
to become a partner.
809
00:40:57,000 --> 00:40:58,639
Well, you have become one.
810
00:40:58,640 --> 00:41:00,159
Surprisingly. Well done.
811
00:41:00,160 --> 00:41:02,879
- What do you suggest?
- So, 5% of the capital.
812
00:41:02,880 --> 00:41:05,039
Interest on the overall result.
813
00:41:05,040 --> 00:41:07,960
And an annual bonus,
if you continue to eat up all of Paris.
814
00:41:08,840 --> 00:41:09,999
I am very touched.
815
00:41:10,000 --> 00:41:10,959
[vibration]
816
00:41:10,960 --> 00:41:11,960
Thank you.
817
00:41:17,480 --> 00:41:19,080
How are you ? You can answer.
818
00:41:20,400 --> 00:41:22,879
No. No, it's okay, I'll call back.
819
00:41:22,880 --> 00:41:24,119
[vibration continues]
820
00:41:24,120 --> 00:41:25,919
- You offered 5%?
- Five, yeah.
821
00:41:25,920 --> 00:41:28,519
She is an American producer,
I have to answer.
822
00:41:28,520 --> 00:41:30,839
- Go ahead.
- Yes, how are you?
823
00:41:30,840 --> 00:41:32,000
Do you answer in English?
824
00:41:32,760 --> 00:41:34,799
No, sorry, what's wrong with you?
825
00:41:34,800 --> 00:41:38,439
Okay. What does Vincent Macaigne do?
in the coming weeks?
826
00:41:38,440 --> 00:41:41,320
You have a problem
with your main actor, perhaps?
827
00:41:41,920 --> 00:41:43,519
Maybe, yes.
828
00:41:43,520 --> 00:41:45,959
Ah… And you need help,
maybe then?
829
00:41:45,960 --> 00:41:49,360
- Can you answer me, Gabriel?
- Uh, listen…
830
00:41:49,880 --> 00:41:53,359
Vincent Macaigne,
he is currently on a secret project.
831
00:41:53,360 --> 00:41:55,919
But we can look elsewhere,
in other directions.
832
00:41:55,920 --> 00:41:58,879
We can have lunch.
You can also make me read the script.
833
00:41:58,880 --> 00:42:02,559
"Secret project", I know what it is,
It's either a detox or a
834
00:42:02,560 --> 00:42:04,039
Okay, okay, okay.
835
00:42:04,040 --> 00:42:07,239
Vincent is a little tired
right now, okay? And…
836
00:42:07,240 --> 00:42:10,399
And he has anxiety attacks
quite strong, so...
837
00:42:10,400 --> 00:42:11,999
So he's free?
838
00:42:12,000 --> 00:42:16,599
No, he's not free.
It shouldn't turn, it's fragile.
839
00:42:16,600 --> 00:42:19,159
We don't know, we haven't seen it.
Is he at Villa Cambon?
840
00:42:19,160 --> 00:42:20,640
- No.
- Courvoisier?
841
00:42:21,160 --> 00:42:23,719
No, listen,
You're not going to disturb him, okay?
842
00:42:23,720 --> 00:42:26,359
- Courvoisier, great.
- No… I’m coming with you!
843
00:42:26,360 --> 00:42:29,279
- You won't go see my client alone!
- Okay. Tomorrow, 4 p.m.
844
00:42:29,280 --> 00:42:30,279
Andrea!
845
00:42:30,280 --> 00:42:31,120
[tone]
846
00:42:32,480 --> 00:42:35,280
[introspective music]
847
00:42:46,760 --> 00:42:50,919
[teacher] We stand up, very slowly,
pay attention to your vertebrae.
848
00:42:50,920 --> 00:42:55,159
We were heavy like lead,
and we are light as feathers.
849
00:42:55,160 --> 00:42:56,599
- Oh !
- We are light.
850
00:42:56,600 --> 00:42:58,119
- Hi !
- Feathers, feathers!
851
00:42:58,120 --> 00:43:00,519
- How are you ? I'm coming.
- Very small feathers.
852
00:43:00,520 --> 00:43:02,999
Feathers, feathers, feathers, feathers!
853
00:43:03,000 --> 00:43:05,640
I can tell you that I always,
anyway, summer...
854
00:43:06,600 --> 00:43:08,439
still of an anxious nature.
855
00:43:08,440 --> 00:43:12,119
Eh ? Huh, Gabriel?
You haven't been able to stand me for a long time.
856
00:43:12,120 --> 00:43:14,999
No, you're a sensitive boy,
that's all, it's not...
857
00:43:15,000 --> 00:43:18,879
Well, it's true that lately,
It really, really grew.
858
00:43:18,880 --> 00:43:20,360
With Trump,
859
00:43:21,240 --> 00:43:22,479
wars,
860
00:43:22,480 --> 00:43:23,880
floods.
861
00:43:24,520 --> 00:43:25,759
You're going to tell me,
862
00:43:25,760 --> 00:43:29,319
it would be to not be anxious,
which would be weird, but still good.
863
00:43:29,320 --> 00:43:31,600
- Yes, you're right.
- The world is sick.
864
00:43:32,080 --> 00:43:36,359
And now it's those
who care who are sick.
865
00:43:36,360 --> 00:43:39,799
No, but… And these are the ones
who are put in a psychiatric hospital.
866
00:43:39,800 --> 00:43:41,879
- It's not fair.
- No, it's not fair.
867
00:43:41,880 --> 00:43:43,280
It's crazy, though. Mad.
868
00:43:43,920 --> 00:43:44,920
So…
869
00:43:45,680 --> 00:43:47,360
[ducks cackleing in the distance]
870
00:43:50,880 --> 00:43:52,839
I see there is a wild boar there.
871
00:43:52,840 --> 00:43:55,519
- Yeah.
- Do you know that this is my totem animal?
872
00:43:55,520 --> 00:43:56,679
- Isn't that true?
- If.
873
00:43:56,680 --> 00:44:00,679
It's definitely... It's the third
main character of the story.
874
00:44:00,680 --> 00:44:04,039
Suzanne takes in a wounded wild boar
and she takes care of him.
875
00:44:04,040 --> 00:44:06,919
You think that the place of an animal,
is it on a tray?
876
00:44:06,920 --> 00:44:10,039
It's super framed, eh.
We don't do this just anyhow.
877
00:44:10,040 --> 00:44:12,919
Laetitia spent time with him,
they got to know each other.
878
00:44:12,920 --> 00:44:15,639
Laetitia…
It’s Laetitia Dosch, right?
879
00:44:15,640 --> 00:44:19,560
No, sorry. Yes, I didn't tell you.
Laetitia Casta plays the role of Suzanne.
880
00:44:20,560 --> 00:44:21,600
Oh. It’s… I…
881
00:44:23,320 --> 00:44:24,759
Finally, I…
882
00:44:24,760 --> 00:44:28,479
I don't know if all that,
It's not a little too premature for me...
883
00:44:28,480 --> 00:44:31,599
You need to think about it.
Yes, take your time.
884
00:44:31,600 --> 00:44:35,079
Of course. No, I don't want to force you.
Afterwards, it's in the middle of nature.
885
00:44:35,080 --> 00:44:37,479
You will love it.
The landscapes are crazy.
886
00:44:37,480 --> 00:44:39,719
It's exactly like here,
but at liberty.
887
00:44:39,720 --> 00:44:43,239
But did you tell Laetitia
that you offered me the role?
888
00:44:43,240 --> 00:44:44,799
- Yes.
- It's true ?
889
00:44:44,800 --> 00:44:46,320
Of course I told him.
890
00:44:46,840 --> 00:44:47,959
She is delighted.
891
00:44:47,960 --> 00:44:48,960
Ah good ?
892
00:44:51,240 --> 00:44:52,799
But did she tell you?
893
00:44:52,800 --> 00:44:54,200
She told me:
894
00:44:55,280 --> 00:44:56,560
“It’s a dream.”
895
00:44:59,280 --> 00:45:00,520
[Vincent sighs]
896
00:45:01,160 --> 00:45:03,559
I'm so relieved,
you can't know.
897
00:45:03,560 --> 00:45:06,199
It is certain that Lafitte and Macaigne,
it has nothing to do with it.
898
00:45:06,200 --> 00:45:09,279
Macaigne is much more unpredictable,
more tormented too.
899
00:45:09,280 --> 00:45:11,719
But frankly,
I even think it's better.
900
00:45:11,720 --> 00:45:14,919
- But he knows that I act in the film?
- Of course.
901
00:45:14,920 --> 00:45:19,079
Of course, I told him. He adores you.
He said, I quote, "It's a dream."
902
00:45:19,080 --> 00:45:21,239
A dream? Ah…
903
00:45:21,240 --> 00:45:22,799
Is it true? Absolutely.
904
00:45:22,800 --> 00:45:23,759
Yeah.
905
00:45:23,760 --> 00:45:27,199
- Well, see you in ten days, then.
- Yeah. I kiss you, hello.
906
00:45:27,200 --> 00:45:29,479
- [Élise] They are OK for…
- Excuse me, I'm here.
907
00:45:29,480 --> 00:45:32,599
Hi. It's confirmed,
Macaigne is making Martel's film?
908
00:45:32,600 --> 00:45:34,719
- Apparently, yes.
- Okay, are you going to be okay?
909
00:45:34,720 --> 00:45:37,799
Nickel. In great shape. Really…
910
00:45:37,800 --> 00:45:39,519
How much did you deal?
911
00:45:39,520 --> 00:45:41,719
I lined up
on the Lafitte stamp.
912
00:45:41,720 --> 00:45:43,359
- Ah good ?
- Yeah.
913
00:45:43,360 --> 00:45:45,319
Urgency is a matter of currency, Gabriel.
914
00:45:45,320 --> 00:45:49,559
We are on a first film,
small budget, we adapt.
915
00:45:49,560 --> 00:45:52,599
I reassure you, darling,
It's not Andréa's personal money.
916
00:45:52,600 --> 00:45:54,599
- Do you know that? Don't worry.
- Yes, thank you.
917
00:45:54,600 --> 00:45:56,439
Thank you for teaching me the trade.
918
00:45:56,440 --> 00:45:59,519
No, but Vincent is OK,
so everything is fine.
919
00:45:59,520 --> 00:46:02,559
But anyway, sorry,
It's about you, not him.
920
00:46:02,560 --> 00:46:05,479
She hasn't spoken to you for five years?
There she is in trouble.
921
00:46:05,480 --> 00:46:08,399
She whistles at you, you come back,
and you fix it. In the name of what?
922
00:46:08,400 --> 00:46:11,760
Honestly, let me go,
I know what I have to do, everything is fine.
923
00:46:12,680 --> 00:46:14,360
- Okay.
- Okay.
924
00:46:15,920 --> 00:46:18,680
[intriguing music]
925
00:46:34,600 --> 00:46:37,759
[music gets louder]
926
00:46:37,760 --> 00:46:40,519
Yeah, hi Noémie, it's Gabriel.
927
00:46:40,520 --> 00:46:42,560
[yelling] 200,000 euros more?
928
00:46:43,080 --> 00:46:45,439
No, but... But wait, but...
929
00:46:45,440 --> 00:46:49,839
Gabriel, so there, but you're sick!
[muffled noise] You're a psychopath!
930
00:46:49,840 --> 00:46:50,959
Do you want me dead?
931
00:46:50,960 --> 00:46:54,759
After all these years
working together, it’s incredible!
932
00:46:54,760 --> 00:46:57,359
Is it Cosa Nostra where you live or what?
933
00:46:57,360 --> 00:47:00,280
No, I won't let it happen.
I'm not Bernadette Chirac, no!
934
00:47:00,960 --> 00:47:01,960
Why are you shouting?
935
00:47:04,000 --> 00:47:07,920
It's a hair appointment
which is offbeat, it blows me away.
936
00:47:09,440 --> 00:47:10,759
[Andréa] Hmm.
937
00:47:10,760 --> 00:47:13,320
[intriguing music resumes]
938
00:47:17,080 --> 00:47:18,399
[music stops]
939
00:47:18,400 --> 00:47:19,760
Oh, damn.
940
00:47:21,960 --> 00:47:24,759
[TV in the background]
941
00:47:24,760 --> 00:47:27,559
I don't know why
I screwed myself up in there.
942
00:47:27,560 --> 00:47:30,279
I was relaxed,
well hidden behind my actors…
943
00:47:30,280 --> 00:47:32,159
You made the right choice,
there is no debate.
944
00:47:32,160 --> 00:47:34,000
If I screw up, I've lost everything.
945
00:47:35,200 --> 00:47:37,199
My career, my money,
946
00:47:37,200 --> 00:47:38,960
my wife, my daughter,
947
00:47:39,920 --> 00:47:41,359
my libido.
948
00:47:41,360 --> 00:47:43,200
Is anyone scared here?
949
00:47:43,880 --> 00:47:44,960
I don't see anyone.
950
00:47:46,320 --> 00:47:47,640
You're not afraid, you.
951
00:47:48,280 --> 00:47:50,240
You were never afraid,
you are a lioness.
952
00:47:50,800 --> 00:47:52,559
We worked on this scenario.
953
00:47:52,560 --> 00:47:54,280
We left nothing to chance.
954
00:47:54,800 --> 00:47:55,800
Listen.
955
00:47:56,560 --> 00:47:59,280
You're going to eat this film for me,
can you hear me?
956
00:48:01,000 --> 00:48:02,920
I never doubted you for a second.
957
00:48:03,760 --> 00:48:04,760
Come on.
958
00:48:05,560 --> 00:48:06,840
We'll get them, the Boches.
959
00:48:08,120 --> 00:48:09,599
[intriguing pairings]
960
00:48:09,600 --> 00:48:10,600
Cheers.
961
00:48:11,880 --> 00:48:14,840
[upbeat upbeat music]
962
00:48:25,040 --> 00:48:26,640
Wait, slow down.
963
00:48:29,840 --> 00:48:31,359
Vincent?
964
00:48:31,360 --> 00:48:34,119
Oh, Andrea! Damn!
So funny!
965
00:48:34,120 --> 00:48:37,479
- The management didn't come?
- No, it was me who wanted it.
966
00:48:37,480 --> 00:48:41,679
Because traveling by car
with gasoline and all that, no…
967
00:48:41,680 --> 00:48:43,039
It's okay, too little for me.
968
00:48:43,040 --> 00:48:46,760
- Don’t worry, it’s electric.
-And then cycling is great!
969
00:48:47,560 --> 00:48:51,439
You really have a connection,
if you want, I would say topographic…
970
00:48:51,440 --> 00:48:53,359
You really have access to the world.
971
00:48:53,360 --> 00:48:56,600
But Vincent, you are called to HMC at 9 a.m.,
it'll be just right.
972
00:48:57,720 --> 00:48:58,839
Come on, run!
973
00:48:58,840 --> 00:49:02,480
[music continues]
974
00:49:04,280 --> 00:49:05,320
This way.
975
00:49:09,320 --> 00:49:11,079
- I'll watch this evening.
- And the accessories?
976
00:49:11,080 --> 00:49:13,639
- Andrea!
- Yes, so that, precisely… Yes?
977
00:49:13,640 --> 00:49:15,280
Madam director!
978
00:49:16,840 --> 00:49:18,359
Are you super excited too?
979
00:49:18,360 --> 00:49:19,839
Concentrated, above all.
980
00:49:19,840 --> 00:49:22,440
- That's it, here we are, first day.
- Yeah !
981
00:49:23,480 --> 00:49:24,639
Come on, go, on the track.
982
00:49:24,640 --> 00:49:26,159
[she shouts] Come on!
983
00:49:26,160 --> 00:49:27,560
[screams with joy]
984
00:49:28,560 --> 00:49:32,159
You're throwing it behind a combo over there,
I don't want her on set.
985
00:49:32,160 --> 00:49:33,200
- It's clear.
- Oh my.
986
00:49:39,640 --> 00:49:42,480
[makeup artist] Excuse me,
you shine a little bit.
987
00:49:44,000 --> 00:49:45,279
Afterwards, please.
988
00:49:45,280 --> 00:49:46,120
- Okay.
- THANKS.
989
00:49:47,120 --> 00:49:48,400
Uh, friends...
990
00:49:49,080 --> 00:49:51,639
This is the first kiss scene.
991
00:49:51,640 --> 00:49:54,120
- Gently.
- Do we have an intimacy coordinator?
992
00:49:54,880 --> 00:49:56,799
It's me.
I did training.
993
00:49:56,800 --> 00:49:58,239
- Oh!
- Yeah. Yeah.
994
00:49:58,240 --> 00:50:00,919
So, let me summarize the situation for you.
995
00:50:00,920 --> 00:50:05,159
You don't want to at all
to put this woman in prison,
996
00:50:05,160 --> 00:50:07,759
and you,
You don't want him to leave at all.
997
00:50:07,760 --> 00:50:11,519
You fell in love,
and it's all in this kiss.
998
00:50:11,520 --> 00:50:15,280
I really want it to be real,
beautiful, first kiss.
999
00:50:15,880 --> 00:50:18,679
How is it for you
a real, beautiful kiss?
1000
00:50:18,680 --> 00:50:22,999
A truly beautiful kiss,
It's very deep, isn't it?
1001
00:50:23,000 --> 00:50:25,079
Very slow, very sensual.
1002
00:50:25,080 --> 00:50:27,879
See? It's these shovels
that make you catch fire,
1003
00:50:27,880 --> 00:50:29,840
- that you forget that you exist.
- [Laetitia] Hmm.
1004
00:50:30,440 --> 00:50:32,599
- Does that mean anything to you?
- Yeah, yeah.
1005
00:50:32,600 --> 00:50:33,919
- Okay.
- Great.
1006
00:50:33,920 --> 00:50:35,079
- Yeah !
- We're going to turn it.
1007
00:50:35,080 --> 00:50:36,799
- Come on ! Go!
- Here we go!
1008
00:50:36,800 --> 00:50:38,560
We set up,
please.
1009
00:50:41,160 --> 00:50:42,160
[Andréa] Action.
1010
00:50:48,560 --> 00:50:49,560
I'm going to leave.
1011
00:50:53,040 --> 00:50:54,199
{\an8}Okay.
1012
00:50:54,200 --> 00:50:55,760
{\an8}I don’t have at all…
1013
00:50:56,800 --> 00:50:58,360
{\an8}I don't want to leave you at all.
1014
00:50:59,520 --> 00:51:00,720
{\an8}So, stay.
1015
00:51:01,320 --> 00:51:03,759
[intriguing music]
1016
00:51:03,760 --> 00:51:05,760
[music stops]
1017
00:51:14,120 --> 00:51:17,159
- Damn! I wasn't in it.
- How are you. No, but it's me...
1018
00:51:17,160 --> 00:51:18,439
- It's cut.
- Pardon.
1019
00:51:18,440 --> 00:51:20,159
- It's cut.
- Sorry everyone.
1020
00:51:20,160 --> 00:51:22,319
- We stay put.
- You were a little too close.
1021
00:51:22,320 --> 00:51:23,879
We stay in place.
1022
00:51:23,880 --> 00:51:25,479
- How are you ?
- Yeah, it's okay.
1023
00:51:25,480 --> 00:51:27,359
- Yeah ?
- I can try further.
1024
00:51:27,360 --> 00:51:29,999
Andrea, maybe I will try
to kiss him, but from afar.
1025
00:51:30,000 --> 00:51:31,239
Well, from further away.
1026
00:51:31,240 --> 00:51:32,680
- That's to say ?
- It’s a…
1027
00:51:33,200 --> 00:51:36,759
Okay, that's an option.
I prefer that we stay with the first one.
1028
00:51:36,760 --> 00:51:39,639
We take 2 minutes.
Silence, please, on set.
1029
00:51:39,640 --> 00:51:41,079
[Jeanne] Silence on set.
1030
00:51:41,080 --> 00:51:43,559
We take 2 min
to do a sensory exercise.
1031
00:51:43,560 --> 00:51:45,959
Nothing to do with the scene,
we leave it aside.
1032
00:51:45,960 --> 00:51:47,359
- Okay.
- OK?
1033
00:51:47,360 --> 00:51:49,839
- Laetitia, your hand... Can I touch you?
- Of course.
1034
00:51:49,840 --> 00:51:51,880
Vincent, you give me your hand,
can I touch you?
1035
00:51:54,160 --> 00:51:57,919
Thanks, there you go. So there you just take
a minute to put your hands down.
1036
00:51:57,920 --> 00:52:00,080
Go ahead, put your hand down
on that of Laetitia.
1037
00:52:00,760 --> 00:52:03,799
That's it, it's nothing,
it's your hands together.
1038
00:52:03,800 --> 00:52:05,039
You close your eyes.
1039
00:52:05,040 --> 00:52:07,679
All right ?
There is more emotion, there is more play,
1040
00:52:07,680 --> 00:52:11,960
more will, than sensation
of your skins against each other.
1041
00:52:12,960 --> 00:52:15,600
- Quiet, please.
- [Jeanne] Silence.
1042
00:52:16,360 --> 00:52:18,040
[Andréa] And you open your eyes.
1043
00:52:23,640 --> 00:52:26,000
That's it.
That's exactly it, OK?
1044
00:52:26,880 --> 00:52:30,879
That's just it, okay?
Shall we go back? Come on, let's go. Engine !
1045
00:52:30,880 --> 00:52:32,239
- Engine requested!
- Shh!
1046
00:52:32,240 --> 00:52:33,279
- It's framed.
-Manu?
1047
00:52:33,280 --> 00:52:34,359
- It's framed.
- Frame.
1048
00:52:34,360 --> 00:52:35,479
It turns on sound.
1049
00:52:35,480 --> 00:52:39,079
You take three steps, I take three steps.
We kiss, like that, it's done.
1050
00:52:39,080 --> 00:52:40,479
- OK? Mechanical.
- Yeah.
1051
00:52:40,480 --> 00:52:41,399
Whenever you want.
1052
00:52:41,400 --> 00:52:42,879
If you want, we don't do it.
1053
00:52:42,880 --> 00:52:44,439
- For what ?
- No, but…
1054
00:52:44,440 --> 00:52:45,679
- What?
- For the reasons…
1055
00:52:45,680 --> 00:52:46,799
What reasons?
1056
00:52:46,800 --> 00:52:47,959
- Do you understand?
- What ?
1057
00:52:47,960 --> 00:52:49,480
Finally… Did you drop that?
1058
00:52:50,400 --> 00:52:51,960
- Damn!
- Damn! Shit !
1059
00:52:52,560 --> 00:52:54,239
- Laetitia, are you okay?
- Ice cream!
1060
00:52:54,240 --> 00:52:56,800
- Fuck, I'm sorry.
- [Andréa] A doctor!
1061
00:52:57,720 --> 00:53:00,160
- [Vincent] Am I stupid or what?
- My nose…
1062
00:53:00,840 --> 00:53:02,960
-Vincent…
- No, it's okay, it's okay, it's okay.
1063
00:53:05,640 --> 00:53:06,879
- Laetitia!
- Cleared !
1064
00:53:06,880 --> 00:53:08,960
Laetitia! I'm sorry, huh.
1065
00:53:10,280 --> 00:53:11,479
Can I come in?
1066
00:53:11,480 --> 00:53:12,679
[he shouts]
1067
00:53:12,680 --> 00:53:13,520
Damn.
1068
00:53:14,440 --> 00:53:17,159
- Damn, stupid!
- Don't worry.
1069
00:53:17,160 --> 00:53:19,719
I'll keep you informed.
I remind you…
1070
00:53:19,720 --> 00:53:22,159
- I'm sorry. I'm sorry.
- Yes yes.
1071
00:53:22,160 --> 00:53:24,359
You have to forgive me.
I apologize.
1072
00:53:24,360 --> 00:53:27,480
There's no problem. There's no problem.
Well, yes, but… There you go.
1073
00:53:28,160 --> 00:53:30,399
- I'll come back to you later.
- Yes.
1074
00:53:30,400 --> 00:53:32,559
- Laetitia!
- Leave a little air.
1075
00:53:32,560 --> 00:53:35,279
Oh, damn! Damn! Damn! Damn!
1076
00:53:35,280 --> 00:53:38,439
- Andrea, you hate me. You're too angry with me.
- Vincent, calm down.
1077
00:53:38,440 --> 00:53:39,479
- Really.
- Okay.
1078
00:53:39,480 --> 00:53:42,720
It happens to everyone to blow their nose
from his partner on the 1st day.
1079
00:53:44,560 --> 00:53:46,600
Please note,
I don't want to blow your nose.
1080
00:53:47,760 --> 00:53:49,720
- Five, six days?
- Oh well yes.
1081
00:53:50,240 --> 00:53:52,759
- Five, six days?
- Yes. Yes, five, six days.
1082
00:53:52,760 --> 00:53:55,359
What do we do?
Should we stop everything and shift?
1083
00:53:55,360 --> 00:53:56,479
[Camille] Not possible.
1084
00:53:56,480 --> 00:53:58,959
She has the English series right after.
We can't shift.
1085
00:53:58,960 --> 00:54:00,559
- What do you mean?
- Holy shit.
1086
00:54:00,560 --> 00:54:03,479
Andrea, wait.
We will find a solution. Eh ?
1087
00:54:03,480 --> 00:54:05,959
It's within the constraints
let talent flourish.
1088
00:54:05,960 --> 00:54:09,559
- We can move the work surface.
- She's in every plan!
1089
00:54:09,560 --> 00:54:13,119
Of course, but we can absolutely
start with the cutting planes.
1090
00:54:13,120 --> 00:54:16,719
It might take us about a day,
a day and a half.
1091
00:54:16,720 --> 00:54:19,360
Oh, damn. It hurts me too much.
1092
00:54:19,880 --> 00:54:21,839
[she moans]
1093
00:54:21,840 --> 00:54:23,400
Otherwise, I'll film your injury.
1094
00:54:24,320 --> 00:54:29,279
I add a scene where you get hurt
and we assume your broken or deviated nose,
1095
00:54:29,280 --> 00:54:30,759
but we accept it, you see?
1096
00:54:30,760 --> 00:54:33,679
You're a fugitive, you get hurt,
you actually hurt yourself.
1097
00:54:33,680 --> 00:54:35,279
You can't be pretty all the time.
1098
00:54:35,280 --> 00:54:36,439
Well no, it's great.
1099
00:54:36,440 --> 00:54:39,239
- It's true, can you feel it?
- Yes, she is a woman who emancipates herself.
1100
00:54:39,240 --> 00:54:41,879
Exactly, she emancipates herself.
It goes through the nose.
1101
00:54:41,880 --> 00:54:44,599
- It's even more interesting, isn't it?
- I love it, love.
1102
00:54:44,600 --> 00:54:46,519
- If you take it on, I…
- Well yes!
1103
00:54:46,520 --> 00:54:48,440
- Go!
- Holy cow!
1104
00:54:51,880 --> 00:54:53,680
Okay, it's a little inflated, but...
1105
00:54:54,640 --> 00:54:56,040
I need to get some fresh air.
1106
00:54:59,440 --> 00:55:01,439
Gabriel,
Your Vincent is not doing well at all.
1107
00:55:01,440 --> 00:55:03,919
He is not in good condition,
it is completely unstable.
1108
00:55:03,920 --> 00:55:04,959
Well that’s it!
1109
00:55:04,960 --> 00:55:06,479
I'm so surprised.
1110
00:55:06,480 --> 00:55:08,879
- Who could have predicted?
- No, but you don’t realize.
1111
00:55:08,880 --> 00:55:11,079
First scene,
he smashed Laetitia's nose in my face.
1112
00:55:11,080 --> 00:55:12,639
Oh shit, is it serious?
1113
00:55:12,640 --> 00:55:14,839
Obviously,
I was arrested for five days.
1114
00:55:14,840 --> 00:55:17,239
My work plan is ruined,
I'm in trouble.
1115
00:55:17,240 --> 00:55:18,760
How do you deal with him there?
1116
00:55:19,280 --> 00:55:20,799
Do you want me to come?
1117
00:55:20,800 --> 00:55:22,319
Is it wrong or what?
1118
00:55:22,320 --> 00:55:26,079
I don't want you to tell your friends
that my filming is going badly.
1119
00:55:26,080 --> 00:55:28,639
They're not my friends.
But you do what you want.
1120
00:55:28,640 --> 00:55:30,359
Vincent, what are you doing?
1121
00:55:30,360 --> 00:55:32,439
Come home…Vincent! Come inside.
1122
00:55:32,440 --> 00:55:33,879
- What ?
- Go home.
1123
00:55:33,880 --> 00:55:36,079
Go home !
What the hell is he doing?
1124
00:55:36,080 --> 00:55:38,679
- I repeat my text.
- No ! Let go of the leaves!
1125
00:55:38,680 --> 00:55:40,199
I want you to come. Leave alone.
1126
00:55:40,200 --> 00:55:41,519
- No !
- Oh, shit!
1127
00:55:41,520 --> 00:55:43,039
- [Andréa shouts]
- I'm coming.
1128
00:55:43,040 --> 00:55:47,160
[sensual music]
1129
00:55:53,400 --> 00:55:54,880
[steps approaching]
1130
00:55:58,760 --> 00:56:00,440
[Andréa screams] But what…
1131
00:56:01,800 --> 00:56:04,159
Hervé, what are you doing?
in my room?
1132
00:56:04,160 --> 00:56:06,920
Sorry, I wanted
play a joke on Noémie.
1133
00:56:07,600 --> 00:56:09,199
Okay, it doesn't matter.
1134
00:56:09,200 --> 00:56:10,640
- We forget.
- Yeah.
1135
00:56:12,720 --> 00:56:15,359
In any case, Andréa, thank you, eh, I…
1136
00:56:15,360 --> 00:56:17,959
I'm so happy
to participate in your film.
1137
00:56:17,960 --> 00:56:20,080
- That's to say ?
- Well yes, Hunter 2.
1138
00:56:21,360 --> 00:56:22,279
[Hervé laughs]
1139
00:56:22,280 --> 00:56:25,240
I will give everything,
you can count on oim.
1140
00:56:26,440 --> 00:56:29,840
And besides,
Bravo for this scenario, but…
1141
00:56:30,960 --> 00:56:32,039
upsetting.
1142
00:56:32,040 --> 00:56:34,480
I didn't think
that you would be capable of that.
1143
00:56:35,000 --> 00:56:37,719
Because still,
when we know you, you know yourself,
1144
00:56:37,720 --> 00:56:42,160
you have a shell that is very,
very tough, very…
1145
00:56:42,680 --> 00:56:47,840
It just moved me to see
that you had a heart, finally there you go.
1146
00:56:49,240 --> 00:56:50,319
Wow.
1147
00:56:50,320 --> 00:56:51,600
[he whispers] Well done.
1148
00:56:56,040 --> 00:56:58,240
Noémie,
you don't hire people on...
1149
00:57:09,520 --> 00:57:12,039
people on my film
without my consent.
1150
00:57:12,040 --> 00:57:13,480
This is the basis.
1151
00:57:20,000 --> 00:57:22,999
"I want to control
every detail of my film.
1152
00:57:23,000 --> 00:57:25,559
"Finally, what do I say, 'my film'?
My masterpiece!
1153
00:57:25,560 --> 00:57:28,119
"To the slightest ass hair
of my extras."
1154
00:57:28,120 --> 00:57:31,199
And this aggressive tone,
but permanently.
1155
00:57:31,200 --> 00:57:32,239
She is sick.
1156
00:57:32,240 --> 00:57:36,680
Really, I'm losing my means,
in fact, I can no longer even...
1157
00:57:37,240 --> 00:57:38,519
It's horrible. What ?
1158
00:57:38,520 --> 00:57:39,880
What is that, Noémie?
1159
00:57:40,720 --> 00:57:43,040
That ? These are my bachelor pants.
1160
00:57:43,840 --> 00:57:47,520
They are simple, comfortable,
and I love them.
1161
00:57:48,840 --> 00:57:51,639
I couldn't get enough of lace
that irritates your pussy
1162
00:57:51,640 --> 00:57:53,399
and which hits you in the line.
1163
00:57:53,400 --> 00:57:54,559
Finito.
1164
00:57:54,560 --> 00:57:55,880
So, are you leaving Mathias?
1165
00:57:56,800 --> 00:57:57,800
So.
1166
00:57:58,680 --> 00:58:01,040
I am a free woman now.
1167
00:58:01,840 --> 00:58:04,280
- Free in her ugly panties.
- Happiness.
1168
00:58:11,200 --> 00:58:13,560
He must be devastated, the little father.
1169
00:58:15,960 --> 00:58:17,840
I shit in his face.
1170
00:58:18,360 --> 00:58:20,199
[Noémie laughs]
1171
00:58:20,200 --> 00:58:23,040
[melancholic music]
1172
00:58:27,920 --> 00:58:30,319
Oh ! I'm going to pee in my pants!
1173
00:58:30,320 --> 00:58:33,679
- You're not going to…
- What's so funny?
1174
00:58:33,680 --> 00:58:36,639
- Do you see who Fabienne Croc is?
- The animal trainer.
1175
00:58:36,640 --> 00:58:39,279
She is overwhelmed between Bambi 2
and Andréa's film.
1176
00:58:39,280 --> 00:58:42,719
- Oh, I can't take it anymore.
-And she's looking for an agent.
1177
00:58:42,720 --> 00:58:44,759
[they laugh]
1178
00:58:44,760 --> 00:58:47,119
[Camille] Paloma.
I beg you, dedicate yourself.
1179
00:58:47,120 --> 00:58:49,759
[Paloma] I always dreamed
to be the agent of a weasel.
1180
00:58:49,760 --> 00:58:52,279
- [Camille] It's a wild boar.
- A wild boar!
1181
00:58:52,280 --> 00:58:55,279
And so,
as Laetitia is injured, we adapt.
1182
00:58:55,280 --> 00:58:58,439
We film all the scenes
in which she is not.
1183
00:58:58,440 --> 00:59:01,039
But there aren't many.
So, we film nature, above all.
1184
00:59:01,040 --> 00:59:03,119
She had a nosebleed
when she got hurt?
1185
00:59:03,120 --> 00:59:04,639
Hmm. A little bit, yes.
1186
00:59:04,640 --> 00:59:06,959
- Do you know I'm going to have a dog?
- Oh good?
1187
00:59:06,960 --> 00:59:09,359
When we are going to move
in Nantes with Manette.
1188
00:59:09,360 --> 00:59:12,479
We will have a garden and a dog.
It will be a cocker spaniel.
1189
00:59:12,480 --> 00:59:13,759
That's so good.
1190
00:59:13,760 --> 00:59:16,879
As you won't have your friends anymore,
at least you'll have a dog.
1191
00:59:16,880 --> 00:59:19,079
Anything,
we make friends everywhere.
1192
00:59:19,080 --> 00:59:20,559
Come on, go wash, let's eat.
1193
00:59:20,560 --> 00:59:21,800
- Come on.
- Kisses, mom.
1194
00:59:22,640 --> 00:59:25,000
- Kisses, my heart, I love you.
- [Colette] File.
1195
00:59:28,280 --> 00:59:30,319
It's disgusting what you're doing.
1196
00:59:30,320 --> 00:59:33,119
Which is disgusting,
This is your case against us.
1197
00:59:33,120 --> 00:59:35,319
It's lies.
Lucie is not part of a sect.
1198
00:59:35,320 --> 00:59:38,359
Her lesbian bike club,
It's not a sect?
1199
00:59:38,360 --> 00:59:39,439
- Andréa.
- Huh?
1200
00:59:39,440 --> 00:59:41,799
I paid for your move,
your deposit, your washing machine.
1201
00:59:41,800 --> 00:59:43,240
Stop being stubborn,
you will lose.
1202
00:59:43,840 --> 00:59:45,160
Go to court.
1203
00:59:46,360 --> 00:59:48,520
A dog. Damn, bitch.
1204
00:59:49,040 --> 00:59:52,039
We stop the table management.
We are not self-service.
1205
00:59:52,040 --> 00:59:53,039
Come on, let's go.
1206
00:59:53,040 --> 00:59:55,280
[brouhaha]
1207
01:00:01,120 --> 01:00:01,960
Hi.
1208
01:00:04,720 --> 01:00:05,720
Oh !
1209
01:00:07,720 --> 01:00:08,720
How are you ?
1210
01:00:09,240 --> 01:00:12,800
- I missed you!
- But you too! And your sweaters, too!
1211
01:00:14,440 --> 01:00:15,680
- Oh damn!
- SO ?
1212
01:00:16,360 --> 01:00:17,879
Did production call you?
1213
01:00:17,880 --> 01:00:19,559
They want to fire me?
1214
01:00:19,560 --> 01:00:23,439
- Either way, I deserve it.
- Not at all, at all, at all.
1215
01:00:23,440 --> 01:00:25,519
I'm going down to visit my parents.
1216
01:00:25,520 --> 01:00:27,679
I told myself I would pass.
1217
01:00:27,680 --> 01:00:30,000
- Oh.
- There you go. How are you ?
1218
01:00:30,920 --> 01:00:32,039
Well blah, it seems.
1219
01:00:32,040 --> 01:00:34,000
- It's going to be okay, so be it. This…
- Well yes…
1220
01:00:35,200 --> 01:00:37,280
She must be mad at me now.
1221
01:00:38,120 --> 01:00:39,280
I don't know, I...
1222
01:00:40,200 --> 01:00:43,759
I'll never be able to catch up.
I don't know what I can do.
1223
01:00:43,760 --> 01:00:45,399
It's just a nice bruise.
1224
01:00:45,400 --> 01:00:47,279
A whole life wouldn't be enough.
1225
01:00:47,280 --> 01:00:50,720
It's a matter of a few days,
from what I could understand.
1226
01:00:51,760 --> 01:00:54,479
Come on, I know what I'm going to do.
It's good.
1227
01:00:54,480 --> 01:00:55,439
That's good.
1228
01:00:55,440 --> 01:00:56,759
- I'll get it together.
- Yes.
1229
01:00:56,760 --> 01:00:59,359
I will reconnect
to important things.
1230
01:00:59,360 --> 01:01:03,719
Nature, humanity.
There is an association that contacted me.
1231
01:01:03,720 --> 01:01:07,239
They need my name,
finally, my image for a video
1232
01:01:07,240 --> 01:01:10,919
to alert the population
against the imminent climate peril.
1233
01:01:10,920 --> 01:01:11,919
I will do it.
1234
01:01:11,920 --> 01:01:14,439
- It's very noble.
- And I’m going… Do you think so?
1235
01:01:14,440 --> 01:01:16,919
Yes, but I would rather not.
It's said.
1236
01:01:16,920 --> 01:01:19,599
- For what ?
- It's not good for your image.
1237
01:01:19,600 --> 01:01:23,839
And an actor who commits today,
but it's not glamorous. It shatters the dream.
1238
01:01:23,840 --> 01:01:26,199
I've never been glamorous,
Finally, listen...
1239
01:01:26,200 --> 01:01:27,519
[Hervé] I don't agree.
1240
01:01:27,520 --> 01:01:30,079
- Oh yes ?
- Yes. I think you have a certain…
1241
01:01:30,080 --> 01:01:31,719
You enter a room, I...
1242
01:01:31,720 --> 01:01:32,639
Do you find it?
1243
01:01:32,640 --> 01:01:33,520
Yes.
1244
01:01:34,040 --> 01:01:38,239
People today consider
the actors as privileged people, that's it.
1245
01:01:38,240 --> 01:01:40,719
They don't like
when they give them lessons.
1246
01:01:40,720 --> 01:01:43,039
You know how she became famous
Sarah Bernhardt?
1247
01:01:43,040 --> 01:01:45,519
She was an extra at the Odéon theater
1248
01:01:45,520 --> 01:01:48,639
and she defended Victor Hugo
against the monarchists.
1249
01:01:48,640 --> 01:01:51,800
So at some point,
you have to move around a little. All right ?
1250
01:01:52,440 --> 01:01:54,280
We're not going to let ourselves die slowly.
1251
01:01:55,480 --> 01:01:57,239
Do you want a Xanax?
1252
01:01:57,240 --> 01:01:58,559
Ah, Stéphane!
1253
01:01:58,560 --> 01:02:01,039
I wanted a slice of strawberry pie.
1254
01:02:01,040 --> 01:02:02,199
We don't have any more.
1255
01:02:02,200 --> 01:02:05,680
- She looked so good.
- That's why there are more.
1256
01:02:07,920 --> 01:02:09,679
[Malik] Hey, there was one left.
1257
01:02:09,680 --> 01:02:12,240
- Oh no, that's nice.
- I heard you.
1258
01:02:13,080 --> 01:02:14,560
Okay, shall we share?
1259
01:02:15,200 --> 01:02:17,119
So just a little bit, OK.
1260
01:02:17,120 --> 01:02:19,120
We say a little bit,
and we eat everything.
1261
01:02:20,120 --> 01:02:21,840
No, I assure you. It's for you.
1262
01:02:27,000 --> 01:02:28,679
[sigh of joy]
1263
01:02:28,680 --> 01:02:31,199
- All that?
- She is sumptuous.
1264
01:02:31,200 --> 01:02:33,360
Oh… Comfort.
1265
01:02:34,520 --> 01:02:35,880
Are you okay, are you getting through it?
1266
01:02:36,560 --> 01:02:39,119
Yeah… Honestly, it’s hard.
1267
01:02:39,120 --> 01:02:41,079
I can't take it anymore. But hey.
1268
01:02:41,080 --> 01:02:43,040
But hey, it's going to be fine.
1269
01:02:43,640 --> 01:02:46,120
Hmm… That, I don’t know.
1270
01:02:47,080 --> 01:02:48,559
I'm sure of it.
1271
01:02:48,560 --> 01:02:50,560
Because you're a super producer.
1272
01:02:52,360 --> 01:02:53,839
No, it's true.
1273
01:02:53,840 --> 01:02:55,600
You're square, you're...
1274
01:02:56,240 --> 01:02:58,880
You're never overlooking
with the teams.
1275
01:03:00,320 --> 01:03:01,399
You're great.
1276
01:03:01,400 --> 01:03:03,279
[facetious music]
1277
01:03:03,280 --> 01:03:04,560
Well thank you.
1278
01:03:05,720 --> 01:03:07,240
Oh, that touches me.
1279
01:03:07,760 --> 01:03:08,760
No, I think so.
1280
01:03:09,760 --> 01:03:16,759
No, because I'm trying to make sure
that everyone feels respected
1281
01:03:16,760 --> 01:03:19,320
and that the frame is well maintained.
1282
01:03:20,040 --> 01:03:20,960
[Malik] Hmm.
1283
01:03:22,000 --> 01:03:26,200
And the one who must set the example,
it's the producer, first.
1284
01:03:27,680 --> 01:03:30,040
- It’s super important, the framework.
- Hmm.
1285
01:03:30,880 --> 01:03:32,040
[she laughs]
1286
01:03:33,280 --> 01:03:34,800
[she hits] Noémie?
1287
01:03:36,280 --> 01:03:38,159
- [Noémie] Oh no!
- [Malik] Shit!
1288
01:03:38,160 --> 01:03:39,479
[she hits] Noémie?
1289
01:03:39,480 --> 01:03:40,879
[thud]
1290
01:03:40,880 --> 01:03:43,239
- Yes?
- It's Andréa, can you open the door for me?
1291
01:03:43,240 --> 01:03:44,480
Uh yes, yes!
1292
01:03:46,920 --> 01:03:49,559
- How are you ? What's going on?
- Sorry, I'm waking you up.
1293
01:03:49,560 --> 01:03:51,919
I know what we're going to do
for Laetitia's nose.
1294
01:03:51,920 --> 01:03:55,199
We will turn like this
and we will do the edits in post-production.
1295
01:03:55,200 --> 01:03:57,399
Oh, no.
We don't have the budget at all.
1296
01:03:57,400 --> 01:04:00,599
Are you kidding me?
They all do it out of pure coquetry.
1297
01:04:00,600 --> 01:04:02,599
Us, no, in case of force majeure?
1298
01:04:02,600 --> 01:04:03,999
- I don't think so.
- Wait.
1299
01:04:04,000 --> 01:04:06,079
- We're not going to talk about it in the hallway.
- Wait.
1300
01:04:06,080 --> 01:04:07,520
I studied everything. In fact…
1301
01:04:08,880 --> 01:04:10,720
- Hello, Malik.
- Ah… Hello, Andréa.
1302
01:04:11,320 --> 01:04:12,720
- I'm doing well ?
- How are you.
1303
01:04:15,120 --> 01:04:17,280
- We must pamper the technical team.
- Yes…
1304
01:04:17,840 --> 01:04:20,759
I'm not holding you back.
We do that, then, for the touch-ups.
1305
01:04:20,760 --> 01:04:23,439
No, we don't do it like that
because we don't have the budget.
1306
01:04:23,440 --> 01:04:25,759
And for example,
in reserve for unforeseen circumstances.
1307
01:04:25,760 --> 01:04:28,960
What the producers pocket
at the end of filming.
1308
01:04:29,480 --> 01:04:32,040
Well, okay.
I'll see what I can do.
1309
01:04:32,640 --> 01:04:33,920
Thank you, Noémie. THANKS.
1310
01:04:34,640 --> 01:04:37,279
Good evening, Malik.
Is it good for the fake boar?
1311
01:04:37,280 --> 01:04:38,479
- Yes.
- Yes ?
1312
01:04:38,480 --> 01:04:40,119
- It's managed.
- We'll talk about it again.
1313
01:04:40,120 --> 01:04:41,920
- So.
- Eh ? Come on, hello.
1314
01:04:43,760 --> 01:04:45,160
[whispers] He has a girlfriend.
1315
01:04:45,960 --> 01:04:48,120
[whispers] I know. It doesn't matter.
1316
01:04:49,120 --> 01:04:50,400
Got it.
1317
01:04:52,640 --> 01:04:55,000
[resolved version of theme]
1318
01:04:57,440 --> 01:04:58,280
I love your nose.
1319
01:04:59,760 --> 01:05:02,239
There are like two little buttocks at the end.
1320
01:05:02,240 --> 01:05:05,320
- You're going to get one.
- It's true, shouldn't you say that?
1321
01:05:05,840 --> 01:05:08,600
- No. Sensitive subject.
- Yeah.
1322
01:05:10,960 --> 01:05:14,080
- [phone ringing]
- [she grumbles]
1323
01:05:16,400 --> 01:05:17,800
[she groans]
1324
01:05:19,040 --> 01:05:20,999
- [Mathias] Hello!
- [man] Hello.
1325
01:05:21,000 --> 01:05:23,119
Mathias Barneville.
We come with the wild boar.
1326
01:05:23,120 --> 01:05:26,279
Her name is Venus,
It's a female, so we say a sow.
1327
01:05:26,280 --> 01:05:28,399
[man] Great.
So, for the wild boar…
1328
01:05:28,400 --> 01:05:29,560
[whispers] Oh, fuck.
1329
01:05:30,600 --> 01:05:31,999
Oh, fuck, fuck.
1330
01:05:32,000 --> 01:05:33,920
What is it? How are you ?
1331
01:05:34,640 --> 01:05:37,839
Wait, excuse me.
In fact, I completely screwed up.
1332
01:05:37,840 --> 01:05:40,319
I have an appointment there,
in three minutes.
1333
01:05:40,320 --> 01:05:44,200
You really have to go.
Please. It's not okay at all.
1334
01:05:46,360 --> 01:05:48,639
- Holy cow!
- I'm leaving!
1335
01:05:48,640 --> 01:05:50,640
[upbeat music]
1336
01:05:57,720 --> 01:05:59,200
- Hello Yacine.
- Good morning.
1337
01:06:00,280 --> 01:06:02,600
- Hello Fabienne.
- Ah, Noémie.
1338
01:06:03,840 --> 01:06:07,159
Good morning. I took an agent for Venus,
as you advised me.
1339
01:06:07,160 --> 01:06:08,479
Do you know Mathias?
1340
01:06:08,480 --> 01:06:09,759
- No.
- Yes.
1341
01:06:09,760 --> 01:06:13,999
So. So,
as agreed, here is the closing.
1342
01:06:14,000 --> 01:06:16,679
Small enclosure with mud pool.
1343
01:06:16,680 --> 01:06:19,839
Its shelter under this magnificent tree.
1344
01:06:19,840 --> 01:06:22,559
- Chestnut.
- There, the small water tank.
1345
01:06:22,560 --> 01:06:24,759
Straw for his diaper.
1346
01:06:24,760 --> 01:06:27,799
All the food in the buckets,
as you see, so...
1347
01:06:27,800 --> 01:06:30,359
- Are you okay? I'll let you settle in.
- Nickel.
1348
01:06:30,360 --> 01:06:31,600
And for housing?
1349
01:06:32,120 --> 01:06:36,319
Listen, I didn't know you were coming,
so I don't have anything planned for you.
1350
01:06:36,320 --> 01:06:38,919
I managed.
I have a hotel not far away.
1351
01:06:38,920 --> 01:06:42,239
- I meant for Fabienne.
- She's at the castle, of course.
1352
01:06:42,240 --> 01:06:44,519
So, everything is OK for you?
1353
01:06:44,520 --> 01:06:46,719
- Impeccable, yeah.
- No forgetting? Perfect.
1354
01:06:46,720 --> 01:06:49,159
- I'll let her get her bearings.
- Alright.
1355
01:06:49,160 --> 01:06:50,240
Wait, Noémie.
1356
01:06:50,840 --> 01:06:53,199
I need to talk to you.
I miss you.
1357
01:06:53,200 --> 01:06:57,479
Look, I'm the producer of the film,
you are the boar's agent.
1358
01:06:57,480 --> 01:07:00,440
We're going to stick to it
to professional relationships. THANKS.
1359
01:07:02,720 --> 01:07:03,679
[whistles]
1360
01:07:03,680 --> 01:07:07,559
The agent! You sort my peels!
Get rid of the onions, she doesn't like that.
1361
01:07:07,560 --> 01:07:11,799
- Right now, I just have a call…
- She doesn't like leeks either!
1362
01:07:11,800 --> 01:07:12,640
Hey, Noémie!
1363
01:07:13,200 --> 01:07:14,559
What is he doing there?
1364
01:07:14,560 --> 01:07:17,599
I don't want him here.
Set your stories elsewhere.
1365
01:07:17,600 --> 01:07:18,879
I have nothing to do with it.
1366
01:07:18,880 --> 01:07:20,760
Mathias is the boar's agent.
1367
01:07:21,440 --> 01:07:22,959
Mathias Barneville?
1368
01:07:22,960 --> 01:07:26,720
Yes, Fabienne Croc appealed
to its services to manage its contracts.
1369
01:07:27,520 --> 01:07:30,360
So the guy passed
by Laetitia Casta to a wild boar.
1370
01:07:30,960 --> 01:07:32,479
- Yes.
- There is justice.
1371
01:07:32,480 --> 01:07:34,639
Honestly, thank you,
It makes my day.
1372
01:07:34,640 --> 01:07:35,800
[Noémie laughs]
1373
01:07:36,720 --> 01:07:38,520
[man] We'll be leaving soon.
1374
01:07:39,000 --> 01:07:40,079
Here we go, Pierre.
1375
01:07:40,080 --> 01:07:41,359
It will be done.
1376
01:07:41,360 --> 01:07:43,360
[coffee maker whirring]
1377
01:07:44,000 --> 01:07:45,360
[burst of laughter]
1378
01:07:47,200 --> 01:07:49,039
[Malik] It’s nonsense. Stop.
1379
01:07:49,040 --> 01:07:51,240
It's terrible. We must stop.
1380
01:07:51,760 --> 01:07:53,999
[Noémie] I'm coming, I'm going to look over there.
1381
01:07:54,000 --> 01:07:55,119
No problem.
1382
01:07:55,120 --> 01:07:59,319
Baptist? Please,
Are you coming for the ride with me?
1383
01:07:59,320 --> 01:08:00,680
[funk music]
1384
01:08:01,280 --> 01:08:03,240
Here, if you can. Thank you, here.
1385
01:08:06,200 --> 01:08:07,960
Hello, hello everyone.
1386
01:08:08,560 --> 01:08:10,119
- How are you ?
- [Laetitia] Hello!
1387
01:08:10,120 --> 01:08:12,319
OK, let's do a little setup.
1388
01:08:12,320 --> 01:08:14,479
Vincent, put down your coffee
for rehearsal.
1389
01:08:14,480 --> 01:08:17,039
You will wait for me there
because you are going to arrive from the borie.
1390
01:08:17,040 --> 01:08:19,839
We're stopping the work!
There is Venus arriving!
1391
01:08:19,840 --> 01:08:21,559
Venus arrives,
we stop the work.
1392
01:08:21,560 --> 01:08:24,679
- [man] What is this monster?
- [woman] Oh my goodness.
1393
01:08:24,680 --> 01:08:26,119
Look, oh, there, there!
1394
01:08:26,120 --> 01:08:27,559
[Fabienne] We’re going to hold each other.
1395
01:08:27,560 --> 01:08:30,239
An animal on a movie set,
it's complicated.
1396
01:08:30,240 --> 01:08:33,319
So, we avoid sudden gestures,
we don't talk loudly.
1397
01:08:33,320 --> 01:08:35,799
You don't give him food,
you don't caress her.
1398
01:08:35,800 --> 01:08:39,679
The first one to make fun of himself,
star or not star, I'll give him a damn.
1399
01:08:39,680 --> 01:08:41,160
I already did it, I promise.
1400
01:08:41,800 --> 01:08:43,359
{\an8}- Go ahead.
- [Malik] That's good.
1401
01:08:43,360 --> 01:08:45,359
{\an8}[Fabienne] She is calm.
We'll be able to go there.
1402
01:08:45,360 --> 01:08:46,839
{\an8}- Laetitia, come.
- Okay.
1403
01:08:46,840 --> 01:08:50,639
{\an8}But yes, you know her, my little girl.
Eh ? It's Laetitia.
1404
01:08:50,640 --> 01:08:52,119
{\an8}Go ahead, go ahead, go ahead.
1405
01:08:52,120 --> 01:08:54,079
{\an8}Shh. Come on, my dear. Very sweet...
1406
01:08:54,080 --> 01:08:56,040
{\an8}- 95 to 1, first.
- Two cameras.
1407
01:08:58,280 --> 01:09:00,120
{\an8}They got you, the bastards.
1408
01:09:00,920 --> 01:09:02,239
{\an8}It's going to be okay, my dear.
1409
01:09:02,240 --> 01:09:03,320
{\an8}Breathe.
1410
01:09:03,960 --> 01:09:05,359
{\an8}- Suzanne…
- Damn!
1411
01:09:05,360 --> 01:09:07,359
- OK, cut it. Do you still have Laetitia?
- Yes.
1412
01:09:07,360 --> 01:09:09,520
- Do you have it?
- Walk slowly, you're scaring him.
1413
01:09:10,280 --> 01:09:12,919
Vincent, get over yourself...
Try to walk slowly.
1414
01:09:12,920 --> 01:09:13,760
THANKS.
1415
01:09:15,520 --> 01:09:19,199
Vincent, don't do things with your hands,
because it's not readable. OK?
1416
01:09:19,200 --> 01:09:21,279
{\an8}- [Laetitia] You have to do it slowly.
- Great.
1417
01:09:21,280 --> 01:09:24,679
[Venus growls softly]
1418
01:09:24,680 --> 01:09:26,119
{\an8}It's going to be okay, my dear.
1419
01:09:26,120 --> 01:09:27,599
{\an8}- Suzanne…
- Res…
1420
01:09:27,600 --> 01:09:29,519
- Oh, damn.
- [Jeanne] It's cut!
1421
01:09:29,520 --> 01:09:32,279
- We'll stay put, thank you!
- You don't just want to improvise...
1422
01:09:32,280 --> 01:09:33,639
- Me, improvise?
- Yes.
1423
01:09:33,640 --> 01:09:37,079
- She leaves as soon as you move forward.
- We have to reinvent the scene.
1424
01:09:37,080 --> 01:09:39,239
She feels all this latent aggression.
1425
01:09:39,240 --> 01:09:40,639
- Is this a joke?
- No.
1426
01:09:40,640 --> 01:09:42,919
She can't sniff you.
I know wild boars.
1427
01:09:42,920 --> 01:09:45,119
- Oh yes ?
- I grew up with it in Corsica.
1428
01:09:45,120 --> 01:09:47,279
You mainly make terrine.
1429
01:09:47,280 --> 01:09:49,359
You were happy
when I brought you the cold meats.
1430
01:09:49,360 --> 01:09:51,639
Lonzu, figatelle,
yum, yum, yum, huh?
1431
01:09:51,640 --> 01:09:53,519
- What is that?
- [Vincent] I tasted it!
1432
01:09:53,520 --> 01:09:56,599
I saw that it made you happy.
That's all. All right ?
1433
01:09:56,600 --> 01:09:58,919
- Vegetarian when it suits you.
- It’s better…
1434
01:09:58,920 --> 01:10:01,079
- Did I miss something?
- [Jeanne] They were together?
1435
01:10:01,080 --> 01:10:03,199
- [Laetitia] You're a liar!
- Apparently.
1436
01:10:03,200 --> 01:10:05,959
We can't trust you.
No one can trust you.
1437
01:10:05,960 --> 01:10:08,759
- Even the wild boar can't stand you!
- Stop, please!
1438
01:10:08,760 --> 01:10:10,599
- Please.
- Stop.
1439
01:10:10,600 --> 01:10:13,119
Can we take a moment?
All three?
1440
01:10:13,120 --> 01:10:15,359
- To discuss…
- What are you doing? That's it!
1441
01:10:15,360 --> 01:10:17,439
You are not fooled,
I'll explain.
1442
01:10:17,440 --> 01:10:21,439
He will pretend to cry,
These are crocodile tears!
1443
01:10:21,440 --> 01:10:23,879
No, but stop!
Don't shame me!
1444
01:10:23,880 --> 01:10:25,639
Sir, I'm afraid I'm afraid!
1445
01:10:25,640 --> 01:10:27,319
- The leper of love.
- Wow.
1446
01:10:27,320 --> 01:10:28,440
[Laetitia sighs]
1447
01:10:29,480 --> 01:10:31,559
- Wait…
- Sorry, but I can't.
1448
01:10:31,560 --> 01:10:33,639
- I'll take that away from you.
- [Laetitia] Get out of there!
1449
01:10:33,640 --> 01:10:35,999
I can no longer...
Stay with Madam Know-It-All.
1450
01:10:36,000 --> 01:10:37,719
- With your wild boar.
- I'm running away from my shame!
1451
01:10:37,720 --> 01:10:39,919
I don't know
how to behave with you.
1452
01:10:39,920 --> 01:10:43,959
- It is better to flee than to rot in front of…
- I only ask one thing!
1453
01:10:43,960 --> 01:10:45,399
You're broken!
1454
01:10:45,400 --> 01:10:47,840
- I'd rather not.
- Get out of my life!
1455
01:10:48,480 --> 01:10:50,599
[Andréa] No, no, no! Oh !
1456
01:10:50,600 --> 01:10:51,559
Stop, stop!
1457
01:10:51,560 --> 01:10:54,879
- Come, I'm waiting for you!
- Calm down! Laetitia, calm down.
1458
01:10:54,880 --> 01:10:56,919
- Attention !
- No, Laetitia, stop!
1459
01:10:56,920 --> 01:10:58,879
- No ! No, stop!
- Dirty trash!
1460
01:10:58,880 --> 01:11:00,399
- Noémie?
- Stay there!
1461
01:11:00,400 --> 01:11:01,759
It's okay, it's okay, that's it.
1462
01:11:01,760 --> 01:11:04,399
[melancholy music:
“With time” by Dalida]
1463
01:11:04,400 --> 01:11:07,160
♪ Over time ♪
1464
01:11:09,200 --> 01:11:10,999
♪ As time goes ♪
1465
01:11:11,000 --> 01:11:12,719
♪ Everything is going away ♪
1466
01:11:12,720 --> 01:11:17,200
♪ We forget the face
And we forget… ♪
1467
01:11:17,800 --> 01:11:19,839
- Come on.
- No, I'll stop. I stop.
1468
01:11:19,840 --> 01:11:21,799
♪ The heart, when things are better ♪
1469
01:11:21,800 --> 01:11:22,960
[music stops]
1470
01:11:23,840 --> 01:11:24,840
Damn.
1471
01:11:25,400 --> 01:11:26,400
Come on.
1472
01:11:27,360 --> 01:11:31,439
Because me,
I thought falling in love was...
1473
01:11:31,440 --> 01:11:35,360
It made you strong, it made you beautiful,
but in fact, it trampled on me.
1474
01:11:35,920 --> 01:11:38,600
It was complicated.
Finally, it is complicated.
1475
01:11:39,560 --> 01:11:41,000
But I loved him very much.
1476
01:11:42,040 --> 01:11:46,119
And then, we had to go to Italy.
He left me on the platform like that.
1477
01:11:46,120 --> 01:11:48,039
Then we never saw each other again.
1478
01:11:48,040 --> 01:11:52,000
Yeah, OK, it's true, I admit,
It's extremely brutal, but...
1479
01:11:52,520 --> 01:11:56,479
Realize that 15 days ago,
he was in a rest clinic.
1480
01:11:56,480 --> 01:11:59,520
It really upset him deeply,
your story.
1481
01:12:01,120 --> 01:12:03,920
Can't we call Laurent Lafitte back?
1482
01:12:04,880 --> 01:12:06,040
No, Laeti.
1483
01:12:06,560 --> 01:12:07,560
We can't.
1484
01:12:08,080 --> 01:12:09,759
We're really going to have to deal with it.
1485
01:12:09,760 --> 01:12:12,359
So please, I beg you,
1486
01:12:12,360 --> 01:12:16,880
you put aside the great lady
wounded Corsican who lies dormant in you,
1487
01:12:17,920 --> 01:12:19,480
and you rather summon
1488
01:12:20,000 --> 01:12:23,080
the Danish Protestant
who likes compromise
1489
01:12:23,760 --> 01:12:25,240
and quiet hypocrisy.
1490
01:12:25,760 --> 01:12:27,559
And at the end of filming party,
1491
01:12:27,560 --> 01:12:30,640
but go ahead, but beat the shit out of him.
I'll help you, if you want.
1492
01:12:31,440 --> 01:12:35,079
[muffled cry]
1493
01:12:35,080 --> 01:12:38,919
That everything that doesn't fit
this person leaves the room.
1494
01:12:38,920 --> 01:12:43,680
Protect her. Protect her, protect her.
Protect her, protect her...
1495
01:12:48,240 --> 01:12:49,080
Andrea?
1496
01:12:49,600 --> 01:12:52,519
- Am I bothering you in the middle of something?
- From the hallway.
1497
01:12:52,520 --> 01:12:55,279
As long as I have you on hand,
I would like to talk to you.
1498
01:12:55,280 --> 01:12:57,959
For my role as hunter,
I thank you again.
1499
01:12:57,960 --> 01:13:03,560
I realize that we are reducing them
often to a function, to a cliché,
1500
01:13:04,280 --> 01:13:09,079
while they also have dreams
and beliefs, for the most part.
1501
01:13:09,080 --> 01:13:12,159
Okay, yes.
Wait, do you have text?
1502
01:13:12,160 --> 01:13:13,160
Well, yes.
1503
01:13:14,680 --> 01:13:17,960
[yelling] “He’s over there!
Come on, let’s get him!”
1504
01:13:18,640 --> 01:13:21,760
There, I put a little perhaps…
Maybe too intentional, but...
1505
01:13:22,480 --> 01:13:27,679
But suddenly, I told myself,
this guy has a wife, that's for sure.
1506
01:13:27,680 --> 01:13:29,639
His pregnant wife is waiting at home.
1507
01:13:29,640 --> 01:13:31,719
And what will he come in?
Empty? No.
1508
01:13:31,720 --> 01:13:33,560
He doesn't want to disappoint her.
1509
01:13:34,360 --> 01:13:36,039
Well yes, that’s very fair, yes.
1510
01:13:36,040 --> 01:13:37,839
You say that to please me.
1511
01:13:37,840 --> 01:13:40,800
No, no, no.
Well no, no, it's intelligent.
1512
01:13:41,280 --> 01:13:43,119
This may not be the right path.
1513
01:13:43,120 --> 01:13:44,759
It seems very coherent to me.
1514
01:13:44,760 --> 01:13:47,359
I like it a lot.
Afterwards, feel free.
1515
01:13:47,360 --> 01:13:50,040
THANKS.
Finally someone who wants to make this film.
1516
01:13:50,640 --> 01:13:51,719
- Hey, uh…
- Yes?
1517
01:13:51,720 --> 01:13:53,239
- Hunter 2…
- Yeah?
1518
01:13:53,240 --> 01:13:54,279
I don't really like it.
1519
01:13:54,280 --> 01:13:55,279
All right.
1520
01:13:55,280 --> 01:13:58,280
Um… Did I say “Germain” to myself?
1521
01:13:59,400 --> 01:14:01,039
Yes, it's good, it suits you well.
1522
01:14:01,040 --> 01:14:02,399
See you tomorrow, Germain.
1523
01:14:02,400 --> 01:14:03,680
Thank you, Andrea.
1524
01:14:05,640 --> 01:14:08,280
Come here. Come here, my dear. Hold.
1525
01:14:08,880 --> 01:14:10,680
Look at. Look at.
1526
01:14:11,640 --> 01:14:12,520
Come on.
1527
01:14:13,120 --> 01:14:14,840
What's going on, huh?
1528
01:14:15,520 --> 01:14:17,240
What's going on, my Venus?
1529
01:14:18,640 --> 01:14:20,680
I know you're nice.
1530
01:14:21,240 --> 01:14:23,199
And very, very intelligent.
1531
01:14:23,200 --> 01:14:24,519
[facetious music]
1532
01:14:24,520 --> 01:14:26,999
Well yes.
Oh dear, that's good.
1533
01:14:27,000 --> 01:14:30,080
Yes, that feels good.
Oh, that feels good!
1534
01:14:30,600 --> 01:14:32,599
Eh ? Huh, big girl?
1535
01:14:32,600 --> 01:14:37,840
Yes, yes, the itchy stomach!
Is that good? Yes, it's good! Eh ?
1536
01:14:38,440 --> 01:14:39,440
Say so!
1537
01:14:40,440 --> 01:14:41,480
We're good there!
1538
01:14:42,520 --> 01:14:45,119
Does it feel good? Yes !
1539
01:14:45,120 --> 01:14:48,079
Come on ! [clears throat]
1540
01:14:48,080 --> 01:14:50,599
[in a deep voice]
Come on, let's get him!
1541
01:14:50,600 --> 01:14:52,400
[clears throat]
1542
01:14:53,760 --> 01:14:56,079
[high-pitched voice] Come on! Come on ! Come on !
1543
01:14:56,080 --> 01:14:59,879
He's over there! Come on !
Come on, let's get him!
1544
01:14:59,880 --> 01:15:01,320
[bird cry]
1545
01:15:04,000 --> 01:15:07,439
He's over there. Come on, let's get him.
We're going to get him.
1546
01:15:07,440 --> 01:15:10,400
- [bird cry]
- [intriguing music]
1547
01:15:11,600 --> 01:15:14,239
- [owl cry]
- [gasps]
1548
01:15:14,240 --> 01:15:15,159
No, more serious.
1549
01:15:15,160 --> 01:15:16,680
[gasps seriously]
1550
01:15:17,400 --> 01:15:18,640
[ululating]
1551
01:15:21,080 --> 01:15:22,319
“Germain, that’s good.”
1552
01:15:22,320 --> 01:15:23,800
[deer barking]
1553
01:15:24,760 --> 01:15:26,280
It's a bird, I'm stupid.
1554
01:15:26,960 --> 01:15:28,879
Where is my phone?
1555
01:15:28,880 --> 01:15:30,959
Ah, but it’s awful!
1556
01:15:30,960 --> 01:15:32,919
[crow cawing]
1557
01:15:32,920 --> 01:15:37,679
Not possible. But it's not possible.
But what did I do?
1558
01:15:37,680 --> 01:15:40,039
But where did I go?
1559
01:15:40,040 --> 01:15:42,040
[in English]
“Because I carry them with me.”
1560
01:15:43,360 --> 01:15:45,479
“Because I carry them with me.”
1561
01:15:45,480 --> 01:15:47,680
[decided voice]
“Because I carry them with me.”
1562
01:15:49,440 --> 01:15:51,360
What if it destroys me?
1563
01:15:56,440 --> 01:15:57,800
[intriguing music]
1564
01:16:00,720 --> 01:16:02,200
[in French] What the hell is he doing?
1565
01:16:06,960 --> 01:16:07,960
That's not true...
1566
01:16:08,640 --> 01:16:09,880
Where is this idiot going?
1567
01:16:10,480 --> 01:16:12,920
[the music becomes melancholy]
1568
01:16:15,960 --> 01:16:17,960
[Vincent gasps]
1569
01:16:30,560 --> 01:16:32,880
I put this, eh, is that it?
Yes, I put it on.
1570
01:16:35,560 --> 01:16:37,319
- What are you doing ?
- Did you follow me?
1571
01:16:37,320 --> 01:16:38,479
What are you doing?
1572
01:16:38,480 --> 01:16:41,079
It’s Extinction Rebellion.
An action on golf.
1573
01:16:41,080 --> 01:16:43,479
But you can't stay there.
Really, go for it.
1574
01:16:43,480 --> 01:16:44,639
-Vincent.
- What ?
1575
01:16:44,640 --> 01:16:46,639
- Is she with us?
- I need to talk to you.
1576
01:16:46,640 --> 01:16:48,759
Listen to me.
I'm really sorry.
1577
01:16:48,760 --> 01:16:50,479
I really didn't mean it, okay?
1578
01:16:50,480 --> 01:16:52,439
- I was really bad.
- No, no…
1579
01:16:52,440 --> 01:16:54,999
- But this is super dangerous.
- Calm down.
1580
01:16:55,000 --> 01:16:57,560
-Vincent. You have to go.
- Yes, I'm going. I'm coming.
1581
01:16:58,240 --> 01:16:59,879
-Vincent!
- [Vincent] Let's go.
1582
01:16:59,880 --> 01:17:01,120
[activist] But come on!
1583
01:17:02,160 --> 01:17:03,639
- Action, reaction!
- [she curses]
1584
01:17:03,640 --> 01:17:04,640
[Vincent] I’m coming!
1585
01:17:05,400 --> 01:17:09,239
[upbeat music: “Don’t Worry about Me”
by Charlie Winston and Ibrahim Maalouf]
1586
01:17:09,240 --> 01:17:12,279
[activist] Go, go, go! Come on, go!
1587
01:17:12,280 --> 01:17:15,599
[indistinct dialogue]
1588
01:17:15,600 --> 01:17:17,679
They can't steal water
1589
01:17:17,680 --> 01:17:19,999
to play marioles in polo
on the green.
1590
01:17:20,000 --> 01:17:23,640
It's in films that you are powerful.
It's in the cinema.
1591
01:17:30,400 --> 01:17:32,800
[inaudible dialogue]
1592
01:17:42,640 --> 01:17:44,359
[Vincent]
Do you remember our meeting?
1593
01:17:44,360 --> 01:17:49,319
I said to myself: Wait, that's impossible
that a woman like her likes me."
1594
01:17:49,320 --> 01:17:51,959
It's true, that's it.
Deep down, I'm just a little fat guy,
1595
01:17:51,960 --> 01:17:55,199
who has dirty hair all the time,
who does a little theater,
1596
01:17:55,200 --> 01:17:57,000
some films.
1597
01:17:58,040 --> 01:17:59,080
And you…
1598
01:17:59,600 --> 01:18:00,920
But you are…
1599
01:18:01,480 --> 01:18:03,080
You're so overwhelming.
1600
01:18:03,600 --> 01:18:06,560
You know, when I was on the platform...
1601
01:18:08,240 --> 01:18:09,920
- Where you left me.
- Yes.
1602
01:18:10,960 --> 01:18:13,079
I was really worried about you.
1603
01:18:13,080 --> 01:18:15,680
I said to myself,
Something happened to him, poor guy.
1604
01:18:17,400 --> 01:18:19,119
I waited, I...
1605
01:18:19,120 --> 01:18:21,160
I waited like an idiot.
1606
01:18:22,200 --> 01:18:24,959
I wanted to come to Italy,
but I didn't succeed.
1607
01:18:24,960 --> 01:18:26,679
Because I was ashamed.
1608
01:18:26,680 --> 01:18:29,880
I was ashamed
to be able to be happy just a little bit.
1609
01:18:30,520 --> 01:18:35,559
The world is burning,
I'm not going to go drink a spritz in Capri.
1610
01:18:35,560 --> 01:18:36,799
Sorry, I...
1611
01:18:36,800 --> 01:18:38,280
I'm tired of running away.
1612
01:18:38,840 --> 01:18:40,440
The truth is that I love you.
1613
01:18:41,240 --> 01:18:42,560
I love you like crazy.
1614
01:18:43,560 --> 01:18:44,440
I'm sorry.
1615
01:18:49,160 --> 01:18:52,280
- [she cries]
- Shh.
1616
01:18:55,160 --> 01:18:57,160
[music continues]
1617
01:19:09,920 --> 01:19:11,320
[activist] Run, run!
1618
01:19:12,240 --> 01:19:14,119
[police officer] Hands in the air! Down!
1619
01:19:14,120 --> 01:19:15,200
[she shouts]
1620
01:19:16,920 --> 01:19:18,080
[police officer] Don’t move!
1621
01:19:18,920 --> 01:19:20,200
[activist] Quick, quick!
1622
01:19:20,680 --> 01:19:22,239
[police officer] Down! Down!
1623
01:19:22,240 --> 01:19:24,000
[scream with joy]
1624
01:19:29,600 --> 01:19:30,999
[music drops]
1625
01:19:31,000 --> 01:19:36,000
- [Vincent] I love you, Laeticia!
- [police officer] Stop!
1626
01:19:36,840 --> 01:19:37,799
Hmm…
1627
01:19:37,800 --> 01:19:38,920
But yeah.
1628
01:19:40,040 --> 01:19:41,680
But of course.
1629
01:19:43,040 --> 01:19:43,960
[we knock]
1630
01:19:45,280 --> 01:19:48,600
Stop, Noémie, please.
Can I talk to you for two minutes?
1631
01:19:49,920 --> 01:19:51,800
Two minutes, then. THANKS.
1632
01:19:54,360 --> 01:19:55,600
I'm listening to you.
1633
01:19:56,720 --> 01:19:58,760
Look, I know.
I am unforgivable.
1634
01:19:59,600 --> 01:20:02,239
But in recent months at the agency
were very hard.
1635
01:20:02,240 --> 01:20:03,519
I felt overwhelmed.
1636
01:20:03,520 --> 01:20:04,760
I think I…
1637
01:20:05,280 --> 01:20:07,999
I feel like I'm getting old and I hate it.
1638
01:20:08,000 --> 01:20:10,519
It's weird,
everyone loves getting old.
1639
01:20:10,520 --> 01:20:11,720
[mocking sigh]
1640
01:20:14,720 --> 01:20:15,720
It’s that…
1641
01:20:16,880 --> 01:20:21,720
I have done so much for us.
I gave so much to our story.
1642
01:20:22,360 --> 01:20:25,480
You see, me,
When things aren't going well, I think of you.
1643
01:20:26,000 --> 01:20:27,440
You, when things are not going well,
1644
01:20:28,120 --> 01:20:29,560
pff, you forgot me.
1645
01:20:31,440 --> 01:20:34,040
But hey… There you go.
That's all, after...
1646
01:20:35,160 --> 01:20:36,400
It's okay, it doesn't matter.
1647
01:20:54,440 --> 01:20:55,560
[she swallows]
1648
01:20:56,640 --> 01:20:57,520
See?
1649
01:20:58,000 --> 01:20:59,480
I can forget you too.
1650
01:21:04,040 --> 01:21:05,120
[policewoman] Name?
1651
01:21:05,640 --> 01:21:06,919
Casta.
1652
01:21:06,920 --> 01:21:09,679
- [police officer] With a K?
- With a C, sir.
1653
01:21:09,680 --> 01:21:10,680
First name ?
1654
01:21:11,280 --> 01:21:12,360
Laetitia.
1655
01:21:12,880 --> 01:21:15,040
- Like the model.
- Yes, it's me.
1656
01:21:17,040 --> 01:21:19,439
She doesn't look like that at all,
the model...
1657
01:21:19,440 --> 01:21:20,440
I…
1658
01:21:21,320 --> 01:21:23,280
I... Actually, I had a little accident.
1659
01:21:24,800 --> 01:21:26,559
Do you have an ID?
1660
01:21:26,560 --> 01:21:28,880
No, sir.
I don't have that on me.
1661
01:21:29,640 --> 01:21:32,079
- Damage.
- I am filming in the region.
1662
01:21:32,080 --> 01:21:33,839
- Oh, okay. Filming.
- Filming.
1663
01:21:33,840 --> 01:21:34,920
Yeah, filming.
1664
01:21:36,160 --> 01:21:37,279
I understand it.
1665
01:21:37,280 --> 01:21:39,680
Sometimes I can't manage it.
I think I'm Will Smith.
1666
01:21:41,600 --> 01:21:43,040
Look on the Internet.
1667
01:21:51,560 --> 01:21:52,560
You see clearly.
1668
01:21:53,160 --> 01:21:55,360
- It's my teeth.
- It cannot be dismantled.
1669
01:21:55,880 --> 01:21:58,240
I explained to them,
but they don't believe me.
1670
01:21:58,960 --> 01:22:01,519
My passport is at home.
My son is here.
1671
01:22:01,520 --> 01:22:04,759
- Okay.
- And if you go, he can open the door for you.
1672
01:22:04,760 --> 01:22:05,999
Should I bring it to you?
1673
01:22:06,000 --> 01:22:08,479
I'm sorry,
It's a bit last minute, but...
1674
01:22:08,480 --> 01:22:10,639
- There are no more trains, above all.
- Oh, yeah.
1675
01:22:10,640 --> 01:22:11,680
Well yes.
1676
01:22:12,200 --> 01:22:13,919
And a taxi?
1677
01:22:13,920 --> 01:22:15,279
Well, it's 800 km away.
1678
01:22:15,280 --> 01:22:16,319
Yeah, OK.
1679
01:22:16,320 --> 01:22:17,439
- Yeah.
- It doesn't matter.
1680
01:22:17,440 --> 01:22:20,759
- I'm going to ask Mathias, he's going to…
- No, it's okay.
1681
01:22:20,760 --> 01:22:23,519
- Is it true? Thank you, you're great.
- I'll take care of it.
1682
01:22:23,520 --> 01:22:25,079
- You're the best.
- Please.
1683
01:22:25,080 --> 01:22:27,639
- I kiss you. Kisses. THANKS.
- Hmm. Big kisses.
1684
01:22:27,640 --> 01:22:28,800
[she hangs up]
1685
01:22:29,760 --> 01:22:31,439
Shit ! [groans]
1686
01:22:31,440 --> 01:22:33,999
OK, so, the chase scene.
1687
01:22:34,000 --> 01:22:36,319
Laetitia runs,
she hears gunshots,
1688
01:22:36,320 --> 01:22:38,599
she hides
and she sees the hunters.
1689
01:22:38,600 --> 01:22:41,559
And so, we do
at the same time the plan on Laetitia
1690
01:22:41,560 --> 01:22:43,519
and the tracking shot on the hunters.
1691
01:22:43,520 --> 01:22:44,559
- Carefree.
- OK?
1692
01:22:44,560 --> 01:22:46,119
And Vincent, where do you place him?
1693
01:22:46,120 --> 01:22:47,799
- And Vincent, well…
- Andrea?
1694
01:22:47,800 --> 01:22:48,759
Later.
1695
01:22:48,760 --> 01:22:50,359
It has to be higher,
1696
01:22:50,360 --> 01:22:52,279
he must lose sight of her
and get left behind,
1697
01:22:52,280 --> 01:22:53,639
so I would put it there.
1698
01:22:53,640 --> 01:22:56,599
- Near the river.
- Sorry, we have uncertain weather.
1699
01:22:56,600 --> 01:22:58,559
Rain at 11 a.m.
You have to be very efficient.
1700
01:22:58,560 --> 01:23:00,879
OK, well, here we go.
We'll start right away. Come on.
1701
01:23:00,880 --> 01:23:02,559
- Andrea?
- Yes.
1702
01:23:02,560 --> 01:23:04,479
We have a very, very big problem.
1703
01:23:04,480 --> 01:23:05,679
Hmm.
1704
01:23:05,680 --> 01:23:09,640
Laetitia and Vincent simply…
1705
01:23:10,320 --> 01:23:11,240
disappeared.
1706
01:23:12,480 --> 01:23:13,600
I don't understand.
1707
01:23:14,480 --> 01:23:18,679
I actually tried to call them,
cell phones are cut off,
1708
01:23:18,680 --> 01:23:20,359
I looked at the hotel,
1709
01:23:20,360 --> 01:23:22,720
I searched everywhere,
they are nowhere to be found.
1710
01:23:26,160 --> 01:23:27,320
[screams] Call the officers!
1711
01:23:27,960 --> 01:23:31,159
Damn, they're going to piss me off
How much longer, these idiots?
1712
01:23:31,160 --> 01:23:33,719
Everyone in place!
We're still filming it!
1713
01:23:33,720 --> 01:23:37,600
[thunder rumble]
1714
01:23:44,240 --> 01:23:46,439
- Damn, it's leaking.
- What do you mean it's leaking?
1715
01:23:46,440 --> 01:23:49,079
[woman] The cable,
This is not a good idea...
1716
01:23:49,080 --> 01:23:50,119
But no…
1717
01:23:50,120 --> 01:23:51,360
[brouhaha]
1718
01:23:52,320 --> 01:23:53,919
"Come on! He's over there!"
1719
01:23:53,920 --> 01:23:56,679
How do you know that?
There are people who are on this.
1720
01:23:56,680 --> 01:23:57,720
You start...
1721
01:23:58,240 --> 01:23:59,519
OK, let's shoot it!
1722
01:23:59,520 --> 01:24:01,079
The hunters, in place!
1723
01:24:01,080 --> 01:24:03,639
Engine ! Everyone in position,
let's turn it!
1724
01:24:03,640 --> 01:24:06,439
- We put the team in danger.
- No. We're not going to shoot.
1725
01:24:06,440 --> 01:24:07,919
- Yes.
- It's raining too hard.
1726
01:24:07,920 --> 01:24:09,879
This light is magnificent,
that's what I want.
1727
01:24:09,880 --> 01:24:10,879
Laetitia!
1728
01:24:10,880 --> 01:24:13,039
Andrea! No, it's not possible!
1729
01:24:13,040 --> 01:24:16,199
- You have to stop, it's dangerous.
- It's going to be a great cinematic moment.
1730
01:24:16,200 --> 01:24:17,759
- Engine, it's running!
- No !
1731
01:24:17,760 --> 01:24:19,119
Go ahead, start the engine!
1732
01:24:19,120 --> 01:24:21,519
Where is the camera operator?
The hunters, in place!
1733
01:24:21,520 --> 01:24:23,239
Come on, come with me!
1734
01:24:23,240 --> 01:24:26,319
Get behind my back,
as expected. This is the shoulder plane.
1735
01:24:26,320 --> 01:24:29,199
OK, you're behind me.
Clap, clap, clap, clap! Given !
1736
01:24:29,200 --> 01:24:32,319
{\an8}Okay, it doesn't matter, I'll do it.
92 out of 1, first!
1737
01:24:32,320 --> 01:24:34,079
{\an8}Hunter action! Action, me!
1738
01:24:34,080 --> 01:24:36,919
{\an8}I'm not behind the camera!
1739
01:24:36,920 --> 01:24:39,559
- Fuck.
- Just one, and then I'll stop everything.
1740
01:24:39,560 --> 01:24:42,479
- Is it running, or what?
- It's not on target! It's running.
1741
01:24:42,480 --> 01:24:44,440
{\an8}[Andréa shouts] Action! Action !
1742
01:24:44,960 --> 01:24:46,039
[barks]
1743
01:24:46,040 --> 01:24:47,279
{\an8}He's over there!
1744
01:24:47,280 --> 01:24:48,839
{\an8}We're going to get him! Come on !
1745
01:24:48,840 --> 01:24:50,999
[barks]
1746
01:24:51,000 --> 01:24:52,439
{\an8}Come on!
1747
01:24:52,440 --> 01:24:53,960
[crash and explosion]
1748
01:24:56,080 --> 01:24:58,119
[Malik] The river has overflowed!
1749
01:24:58,120 --> 01:25:01,439
Oh damn! Oh no! Wait!
1750
01:25:01,440 --> 01:25:03,559
Andrea! Andrea, let’s stop!
1751
01:25:03,560 --> 01:25:05,960
{\an8}No! We're not stopping anything at all!
Follow me, you!
1752
01:25:07,840 --> 01:25:09,840
Oh ! I'm leaving with the dolly!
1753
01:25:10,800 --> 01:25:12,119
Cut the filming!
1754
01:25:12,120 --> 01:25:14,479
[screams and exclamations]
1755
01:25:14,480 --> 01:25:16,480
[screams]
1756
01:25:21,960 --> 01:25:22,960
{\an8}[Andréa] Shit!
1757
01:25:23,720 --> 01:25:24,799
{\an8}- Are you okay?
- How are you.
1758
01:25:24,800 --> 01:25:26,399
{\an8}- No, the cam, is it okay?
- Yeah, it's okay.
1759
01:25:26,400 --> 01:25:27,920
{\an8}- Is it still running? Given !
- Yes.
1760
01:25:28,640 --> 01:25:30,280
Be careful, be careful!
1761
01:25:31,440 --> 01:25:32,840
[Andrea groans]
1762
01:25:33,480 --> 01:25:34,720
[she shouts]
1763
01:25:35,520 --> 01:25:37,520
[he shouts]
1764
01:25:39,160 --> 01:25:41,159
[screams and exclamations]
1765
01:25:41,160 --> 01:25:42,720
[action music]
1766
01:25:51,320 --> 01:25:52,320
You have to go.
1767
01:25:53,080 --> 01:25:56,359
Damn, what the hell!
The day I shoot, what!
1768
01:25:56,360 --> 01:25:57,760
The day I shoot!
1769
01:25:58,840 --> 01:26:04,120
[Noémie] Damn! Where are the rushes?
There are no more rushes! Shit !
1770
01:26:05,440 --> 01:26:07,519
[Malik] Is it good? Come on ?
1771
01:26:07,520 --> 01:26:10,440
[melancholic music]
1772
01:27:00,280 --> 01:27:01,280
Come on.
1773
01:27:04,320 --> 01:27:07,119
- Andrea. I was going to come.
- I can't take it anymore.
1774
01:27:07,120 --> 01:27:11,719
Yes. So, for insurance,
So, we do have insurance.
1775
01:27:11,720 --> 01:27:13,599
- Great !
- That's good, yeah.
1776
01:27:13,600 --> 01:27:16,000
On the other hand, the contract
1777
01:27:16,840 --> 01:27:18,359
is quite minimal.
1778
01:27:18,360 --> 01:27:20,799
All right. The rain,
That’s the minimum, right?
1779
01:27:20,800 --> 01:27:22,000
Rain, yes.
1780
01:27:22,640 --> 01:27:25,520
Floods, no.
1781
01:27:26,360 --> 01:27:30,159
- Give your assurance. I call them.
- No, no, wait…
1782
01:27:30,160 --> 01:27:33,159
- Huh?
- The offices are currently closed.
1783
01:27:33,160 --> 01:27:35,239
Because of the time difference.
1784
01:27:35,240 --> 01:27:37,840
But what time difference are you talking about?
1785
01:27:39,560 --> 01:27:42,120
Because the offices are in Chișinău.
1786
01:27:43,320 --> 01:27:45,240
In Moldova.
1787
01:27:47,400 --> 01:27:49,760
You took out Moldovan insurance
for my film?
1788
01:27:50,760 --> 01:27:52,479
Yes. It was cheaper.
1789
01:27:52,480 --> 01:27:55,999
- But… But…
- I had a complicated decision to make.
1790
01:27:56,000 --> 01:27:59,559
Because of Gabriel who asked me
a very high fee for Vincent.
1791
01:27:59,560 --> 01:28:02,159
And here we are, we were in a hurry.
1792
01:28:02,160 --> 01:28:04,239
Insurance,
they are very expensive.
1793
01:28:04,240 --> 01:28:08,079
I averaged the rainfall
over the last 20 years in the area.
1794
01:28:08,080 --> 01:28:11,559
And I didn't check
the climatic event box.
1795
01:28:11,560 --> 01:28:13,320
Because it had to happen.
1796
01:28:14,600 --> 01:28:17,039
It's not my fault
if the climate is completely out of control.
1797
01:28:17,040 --> 01:28:19,199
You endangered my film
for your comment.
1798
01:28:19,200 --> 01:28:20,759
What ? But whatever.
1799
01:28:20,760 --> 01:28:23,359
It's a game
with your little friends from Starmédia?
1800
01:28:23,360 --> 01:28:25,359
That's it
that you play in meetings?
1801
01:28:25,360 --> 01:28:27,919
"Come on, let's bleed her
until she bursts.
1802
01:28:27,920 --> 01:28:29,479
That’s so funny.”
1803
01:28:29,480 --> 01:28:31,919
But Andrea,
I just did my job.
1804
01:28:31,920 --> 01:28:34,119
You did it for years.
You know what it is.
1805
01:28:34,120 --> 01:28:36,519
I know very well
that you choose the stamp.
1806
01:28:36,520 --> 01:28:38,799
You can like a movie
and support him
1807
01:28:38,800 --> 01:28:40,959
or be trash
who doesn't give a damn.
1808
01:28:40,960 --> 01:28:43,399
Is it my fault?
Is that how you reassure yourself?
1809
01:28:43,400 --> 01:28:45,119
But you're a bully, actually.
1810
01:28:45,120 --> 01:28:47,599
You're a coward.
That's why you left ASK.
1811
01:28:47,600 --> 01:28:50,839
To protect your interests.
You don't give a damn about friendship!
1812
01:28:50,840 --> 01:28:52,919
You are perfect.
You are Sister Emmanuelle.
1813
01:28:52,920 --> 01:28:55,599
She acts for the good of others.
She's great.
1814
01:28:55,600 --> 01:28:57,959
You don't see
that you exhaust everyone?
1815
01:28:57,960 --> 01:28:59,559
You listen to nothing and no one.
1816
01:28:59,560 --> 01:29:01,959
You're a bulldozer.
You come through in force.
1817
01:29:01,960 --> 01:29:03,959
You just torpedoed your own movie.
1818
01:29:03,960 --> 01:29:07,039
So, if he is dead,
you only have yourself to blame.
1819
01:29:07,040 --> 01:29:08,560
He’s not dead, my film!
1820
01:29:09,080 --> 01:29:11,479
Did you understand?
He’s not dead, my film!
1821
01:29:11,480 --> 01:29:15,039
That's it, get out of there!
Go back with your Starmedia jackals!
1822
01:29:15,040 --> 01:29:18,120
Nobody wants you here!
Get the fuck out!
1823
01:29:21,280 --> 01:29:22,960
Eh ? He's not dead, my film.
1824
01:29:23,480 --> 01:29:25,559
We can use the iPhone if we want. Eh ?
1825
01:29:25,560 --> 01:29:28,159
We don't care,
We don't do this for the money!
1826
01:29:28,160 --> 01:29:30,079
Too bad if we don't pay ourselves.
1827
01:29:30,080 --> 01:29:33,040
Well no, Andréa, no.
We can't do that.
1828
01:29:33,640 --> 01:29:34,600
But why not?
1829
01:29:35,720 --> 01:29:36,920
Why not ?
1830
01:29:37,720 --> 01:29:38,759
Joan!
1831
01:29:38,760 --> 01:29:42,200
I'm sorry. I'm sorry.
1832
01:29:44,040 --> 01:29:47,080
Andrea. I had Jerome.
1833
01:29:48,120 --> 01:29:51,360
Insurance will not cover losses.
1834
01:29:51,880 --> 01:29:53,240
We are in disaster.
1835
01:29:53,760 --> 01:29:56,400
I have to stop everything.
1836
01:29:56,960 --> 01:30:00,720
Finally, you must first wait
the arrival of the experts tomorrow.
1837
01:30:01,240 --> 01:30:03,360
Then I will be obliged
1838
01:30:04,080 --> 01:30:06,680
to free the teams.
1839
01:30:13,240 --> 01:30:15,400
[melancholic music]
1840
01:30:18,600 --> 01:30:19,679
Hello, my beauty.
1841
01:30:19,680 --> 01:30:22,360
It’s Arlette. How is the film going?
1842
01:30:23,080 --> 01:30:24,200
Are you happy?
1843
01:30:28,320 --> 01:30:29,720
My darling, answer me.
1844
01:30:30,280 --> 01:30:31,680
Give me your news.
1845
01:30:32,800 --> 01:30:34,600
Are you acting like a pig or what?
1846
01:30:35,120 --> 01:30:36,040
Naughty.
1847
01:30:37,520 --> 01:30:38,679
[we knock]
1848
01:30:38,680 --> 01:30:41,239
- Yes ? Oh.
- [Mathias] Excuse me.
1849
01:30:41,240 --> 01:30:44,559
I just wanted to know what we were doing
for Venus and Fabienne.
1850
01:30:44,560 --> 01:30:47,879
Yes yes. Exactly, I was on it.
1851
01:30:47,880 --> 01:30:52,560
Well, in any case, don't worry.
We will… Everyone will be compensated.
1852
01:30:53,080 --> 01:30:54,680
Just, I don't know anymore
1853
01:30:55,280 --> 01:30:56,919
where did I put it.
1854
01:30:56,920 --> 01:30:59,080
Wait. Uh…
1855
01:31:02,520 --> 01:31:04,920
[muffled sobs]
1856
01:31:09,600 --> 01:31:11,440
I'm so bad!
1857
01:31:13,040 --> 01:31:16,999
No but it's okay, it's nothing.
You can't help it, you couldn't have predicted.
1858
01:31:17,000 --> 01:31:18,759
Why did I do this?
1859
01:31:18,760 --> 01:31:20,439
I'm rubbish.
1860
01:31:20,440 --> 01:31:22,159
No shit!
1861
01:31:22,160 --> 01:31:23,759
It doesn't matter.
1862
01:31:23,760 --> 01:31:26,520
- It is…
- I messed up everything, it’s a disaster!
1863
01:31:28,200 --> 01:31:29,360
[she sighs]
1864
01:31:37,240 --> 01:31:38,240
Listen…
1865
01:31:41,960 --> 01:31:43,239
I know...
1866
01:31:43,240 --> 01:31:44,920
I know I'm very selfish.
1867
01:31:45,840 --> 01:31:47,000
That I am
1868
01:31:47,600 --> 01:31:50,240
closed, stiff.
1869
01:31:50,760 --> 01:31:52,520
But you made me move.
1870
01:31:54,320 --> 01:31:56,880
You made me slow down.
1871
01:31:58,120 --> 01:32:00,600
To come out of me,
to look around me.
1872
01:32:03,000 --> 01:32:04,000
To be less stupid.
1873
01:32:07,600 --> 01:32:09,680
I looked at you a lot
on the set.
1874
01:32:11,360 --> 01:32:12,360
I saw you.
1875
01:32:15,400 --> 01:32:16,919
You're incredible.
1876
01:32:16,920 --> 01:32:18,119
- But yes!
- No.
1877
01:32:18,120 --> 01:32:19,120
You're beautiful.
1878
01:32:19,760 --> 01:32:20,999
You're alive.
1879
01:32:21,000 --> 01:32:24,120
But so alive and free.
1880
01:32:27,920 --> 01:32:28,920
So,
1881
01:32:29,520 --> 01:32:30,760
maybe...
1882
01:32:32,200 --> 01:32:34,000
we grew up a little
1883
01:32:34,880 --> 01:32:35,880
both?
1884
01:32:38,160 --> 01:32:39,200
I love you, Noémie.
1885
01:32:40,080 --> 01:32:41,240
I love you as you are.
1886
01:32:42,760 --> 01:32:43,960
Whole.
1887
01:32:44,840 --> 01:32:48,959
I love your explosions, your disasters.
1888
01:32:48,960 --> 01:32:51,480
I want to be near you, with you.
1889
01:32:52,000 --> 01:32:53,800
I want to grow old with you.
1890
01:32:58,440 --> 01:33:00,519
Me too my love.
1891
01:33:00,520 --> 01:33:01,960
I beg your pardon.
1892
01:33:04,160 --> 01:33:06,680
[intriguing music]
1893
01:33:10,920 --> 01:33:13,240
[harp version of the theme]
1894
01:33:15,560 --> 01:33:17,000
Hello, my Arlette.
1895
01:33:20,520 --> 01:33:22,480
[sighs] It's good that you came.
1896
01:33:26,080 --> 01:33:27,199
Andrea?
1897
01:33:27,200 --> 01:33:28,439
[music stops]
1898
01:33:28,440 --> 01:33:29,440
It's Arlette.
1899
01:33:30,400 --> 01:33:31,560
Can I come in?
1900
01:33:34,400 --> 01:33:36,400
- What the hell is she doing?
- I don't know.
1901
01:33:38,440 --> 01:33:39,440
Andrea?
1902
01:33:40,720 --> 01:33:43,600
I'm warning you, I'm going in.
If you're naked, I don't care.
1903
01:33:44,720 --> 01:33:46,240
[flock of birds]
1904
01:33:49,200 --> 01:33:50,280
[Noémie] Andréa?
1905
01:33:52,840 --> 01:33:53,840
Andrea?
1906
01:34:00,440 --> 01:34:01,440
Andrea?
1907
01:34:03,960 --> 01:34:05,920
Oh, no. Oh, no!
1908
01:34:07,040 --> 01:34:08,160
[screams]
1909
01:34:08,760 --> 01:34:10,759
- I'm here.
- Oh, you scared me.
1910
01:34:10,760 --> 01:34:13,600
- What are you doing here?
- It's because of the birds.
1911
01:34:14,200 --> 01:34:15,880
They come in and they shit on me.
1912
01:34:18,680 --> 01:34:21,160
[melancholic music]
1913
01:34:25,760 --> 01:34:27,439
[Camille knocks] Andréa?
1914
01:34:27,440 --> 01:34:28,919
- Hmm ?
- [door opens]
1915
01:34:28,920 --> 01:34:30,920
The manager arrives
to take you to the station.
1916
01:34:32,880 --> 01:34:35,120
You have your hearing in Paris tomorrow.
You know ?
1917
01:34:35,720 --> 01:34:36,720
I know.
1918
01:34:37,760 --> 01:34:39,640
Could you take a shower?
1919
01:34:40,280 --> 01:34:41,920
- A bath.
- [Camille] There you go.
1920
01:34:42,520 --> 01:34:44,000
I have no more film, I have nothing left.
1921
01:34:45,240 --> 01:34:47,520
No one will trust me
custody of my child.
1922
01:34:48,440 --> 01:34:53,080
If it's just to humiliate me
by a judge, it's not worth it.
1923
01:34:53,640 --> 01:34:55,520
She doesn't care about your film, your daughter.
1924
01:34:57,200 --> 01:34:58,400
She needs you.
1925
01:35:01,600 --> 01:35:02,680
Andrea.
1926
01:35:03,320 --> 01:35:06,400
Nothing worse for a child
than a parent who lets you down.
1927
01:35:07,720 --> 01:35:11,719
I swear, look at me, my father,
he forgot me for 15 years and you see,
1928
01:35:11,720 --> 01:35:13,800
despite all the efforts we have made,
1929
01:35:14,640 --> 01:35:16,080
when he recognized me...
1930
01:35:21,600 --> 01:35:22,880
I'm still angry.
1931
01:35:24,520 --> 01:35:27,000
It's like an inconsolable abyss.
1932
01:35:30,800 --> 01:35:32,279
[sniffles]
1933
01:35:32,280 --> 01:35:33,480
Go take a shower.
1934
01:35:41,600 --> 01:35:46,599
Gabriel, Camille, I sent you
compensation proposals
1935
01:35:46,600 --> 01:35:48,399
for Laetitia and Vincent.
1936
01:35:48,400 --> 01:35:50,639
There you go, tell me if it suits you.
1937
01:35:50,640 --> 01:35:53,240
We have no other way out.
I'm sorry.
1938
01:35:53,800 --> 01:35:55,480
Why are you telling the insurance companies the truth?
1939
01:35:56,600 --> 01:36:00,039
People always work things out
with reality with insurance companies.
1940
01:36:00,040 --> 01:36:02,879
You already inflated a bill
to have a suitable repair?
1941
01:36:02,880 --> 01:36:04,359
- Yes.
- It's human...
1942
01:36:04,360 --> 01:36:06,559
It's not water damage
in my kitchen.
1943
01:36:06,560 --> 01:36:08,559
Can you imagine the risk for the company?
1944
01:36:08,560 --> 01:36:11,759
There, I risk my job,
my reputation...
1945
01:36:11,760 --> 01:36:14,560
Crashing the movie will cost you your job
and your reputation.
1946
01:36:16,640 --> 01:36:18,719
[noise similar to trumpeting]
1947
01:36:18,720 --> 01:36:20,839
What…
What is Andrea?
1948
01:36:20,840 --> 01:36:22,559
She made noises in her throat.
1949
01:36:22,560 --> 01:36:25,359
It looked like a botched tracheotomy.
It was creepy.
1950
01:36:25,360 --> 01:36:27,360
Guys, we're not going to let this happen.
1951
01:36:27,880 --> 01:36:29,639
She's going to die.
She will never recover.
1952
01:36:29,640 --> 01:36:33,680
I don't think you realize,
but it's worth a million euros.
1953
01:36:34,360 --> 01:36:37,439
So I don't want to
to end up in jail either.
1954
01:36:37,440 --> 01:36:38,719
Don't you say anything?
1955
01:36:38,720 --> 01:36:42,919
I don't want to interfere.
I respect Noémie's decision.
1956
01:36:42,920 --> 01:36:44,719
It is in full deconstruction.
1957
01:36:44,720 --> 01:36:46,960
Now,
since you asked me,
1958
01:36:48,320 --> 01:36:51,639
if it was me,
I would seriously think about it.
1959
01:36:51,640 --> 01:36:52,679
Ah good ?
1960
01:36:52,680 --> 01:36:54,599
You just have to invent a disaster.
1961
01:36:54,600 --> 01:36:57,999
You just have to make it credible
damage worth one million euros. Okay.
1962
01:36:58,000 --> 01:36:59,720
But covered by your insurance.
1963
01:37:00,280 --> 01:37:02,960
You have to do what you know how to do,
negotiate with reality.
1964
01:37:04,400 --> 01:37:05,480
I agree.
1965
01:37:06,720 --> 01:37:07,799
So, wait.
1966
01:37:07,800 --> 01:37:12,279
Before the arrival of the experts,
tomorrow morning, in seven o'clock.
1967
01:37:12,280 --> 01:37:13,679
In the greatest secrecy.
1968
01:37:13,680 --> 01:37:14,839
Stop, it turns me on.
1969
01:37:14,840 --> 01:37:16,359
[they laugh]
1970
01:37:16,360 --> 01:37:17,600
[Camille] Are we ready?
1971
01:37:20,880 --> 01:37:23,919
- What are you talking about?
- No, no, nothing. Finally, we are…
1972
01:37:23,920 --> 01:37:25,880
You know,
we are in the compensation business.
1973
01:37:26,720 --> 01:37:28,399
So what excites you?
1974
01:37:28,400 --> 01:37:30,479
What excites me? Well…
1975
01:37:30,480 --> 01:37:32,680
I told them about this halberd
1976
01:37:33,280 --> 01:37:35,759
who has been watching me for millennia.
1977
01:37:35,760 --> 01:37:37,400
Since its history, in fact.
1978
01:37:38,360 --> 01:37:41,519
I wanted to tell you
that I am solely responsible for all of this.
1979
01:37:41,520 --> 01:37:43,760
- I'm brutal.
- Not wrong.
1980
01:37:45,760 --> 01:37:47,560
- Stubborn.
- Not wrong.
1981
01:37:48,240 --> 01:37:51,520
So while you're at it,
a bit snobbish.
1982
01:37:52,160 --> 01:37:54,000
-And sometimes…
- Contemptuous?
1983
01:37:54,600 --> 01:37:55,600
Yes, there you go.
1984
01:37:56,920 --> 01:38:00,600
I'm sorry for putting you
in this very, very rotten situation.
1985
01:38:04,440 --> 01:38:08,439
And then, otherwise, it would be necessary
to be in court at 9 a.m.
1986
01:38:08,440 --> 01:38:09,719
In Paris.
1987
01:38:09,720 --> 01:38:14,040
And I wanted to know
if someone could take me to the station.
1988
01:38:15,080 --> 01:38:18,720
But because it's 1 a.m. now,
There’s no train, actually.
1989
01:38:20,280 --> 01:38:21,440
Ah, well okay.
1990
01:38:22,200 --> 01:38:24,560
Too bad.
It didn't do much good.
1991
01:38:25,680 --> 01:38:27,759
Andréa, I'm taking you to Aix.
1992
01:38:27,760 --> 01:38:30,640
If you take the first train,
you will have your audience.
1993
01:38:33,240 --> 01:38:35,319
- Thank you, that’s really nice.
- Come on.
1994
01:38:35,320 --> 01:38:37,719
[soft music on the radio]
1995
01:38:37,720 --> 01:38:39,760
It's horrible, what I told you.
1996
01:38:41,560 --> 01:38:42,560
Pardon.
1997
01:38:45,640 --> 01:38:48,199
Besides, you came
to take care of Vincent.
1998
01:38:48,200 --> 01:38:49,599
No.
1999
01:38:49,600 --> 01:38:51,080
It doesn't matter, you know.
2000
01:38:53,840 --> 01:38:55,920
Everything I told you,
it was true.
2001
01:39:03,120 --> 01:39:04,799
I resigned from Starmedia.
2002
01:39:04,800 --> 01:39:06,360
I couldn't take it anymore.
2003
01:39:10,000 --> 01:39:12,680
I don't know how I did it
to last so long.
2004
01:39:14,520 --> 01:39:18,320
You wanted me so much
when I left ASK to go to them…
2005
01:39:19,720 --> 01:39:23,920
that I stayed there to prove myself
that I hadn't done something stupid...
2006
01:39:25,880 --> 01:39:26,880
I don't know.
2007
01:39:27,640 --> 01:39:28,960
Out of pride, of course.
2008
01:39:33,880 --> 01:39:36,120
I wanted
for calling you so many times.
2009
01:39:37,920 --> 01:39:39,160
I never did it.
2010
01:39:41,000 --> 01:39:42,160
Out of pride.
2011
01:39:44,280 --> 01:39:46,560
- We're really as stupid as buzzards.
- Hmm.
2012
01:39:47,920 --> 01:39:49,479
Stupid as buzzards.
2013
01:39:49,480 --> 01:39:50,959
[upbeat music]
2014
01:39:50,960 --> 01:39:54,159
- It’s the prototype, it’s not released…
- Which one is it?
2015
01:39:54,160 --> 01:39:55,239
Oh, okay, okay, okay.
2016
01:39:55,240 --> 01:39:58,199
- You need to learn the objectives.
- Yes. Got it.
2017
01:39:58,200 --> 01:40:00,080
- Mathias.
- Oh !
2018
01:40:00,840 --> 01:40:02,279
- Hold.
- This is for me.
2019
01:40:02,280 --> 01:40:04,359
- There are too many people.
- I'm putting us into a team...
2020
01:40:04,360 --> 01:40:06,879
- Here, coffee, because… Yeah.
- THANKS !
2021
01:40:06,880 --> 01:40:10,719
But we agree, really,
no one needs to know.
2022
01:40:10,720 --> 01:40:13,279
- No, but obviously!
- Neither the crew nor the actors.
2023
01:40:13,280 --> 01:40:14,920
- It's 2 o'clock!
- I know. 1 hour left.
2024
01:40:15,920 --> 01:40:17,200
Good luck.
2025
01:40:20,160 --> 01:40:22,639
[whispers]
2026
01:40:22,640 --> 01:40:24,919
[Noémie] There, there, that’s good, stop! Stop!
2027
01:40:24,920 --> 01:40:27,520
[Camille] The optics!
Pass me the tripod!
2028
01:40:28,560 --> 01:40:29,560
Attention !
2029
01:40:30,080 --> 01:40:31,399
Attention !
2030
01:40:31,400 --> 01:40:32,800
[Hervé] The camera!
2031
01:40:33,640 --> 01:40:36,839
- [Camille] I can't, the camera.
- [Noémie] Yes, it’s credible!
2032
01:40:36,840 --> 01:40:38,200
[Hervé] Camille, damn!
2033
01:40:38,720 --> 01:40:40,079
- [Noémie] Wow!
- [Hervé] Wow!
2034
01:40:40,080 --> 01:40:42,160
[music resolved]
2035
01:40:54,760 --> 01:40:55,760
Ah, there!
2036
01:40:58,040 --> 01:40:59,719
[in Romanian] Welcome!
2037
01:40:59,720 --> 01:41:01,199
Enchanted.
2038
01:41:01,200 --> 01:41:03,119
- [in French] Hello.
- You speak French.
2039
01:41:03,120 --> 01:41:03,960
Good morning.
2040
01:41:05,000 --> 01:41:07,879
So, I am Noémie Leclerc,
the producer of the film.
2041
01:41:07,880 --> 01:41:09,680
And here is the technical team.
2042
01:41:10,200 --> 01:41:12,879
- Emmanuel Sednaoui, cinematographer.
- Good morning.
2043
01:41:12,880 --> 01:41:15,919
Arlette Azémar, Andréa Martel's agent,
I represent her.
2044
01:41:15,920 --> 01:41:16,920
I'm sorry.
2045
01:41:19,840 --> 01:41:22,359
Nothing is said about the film. OK?
2046
01:41:22,360 --> 01:41:24,119
You are in complete control.
2047
01:41:24,120 --> 01:41:25,560
Everything is going very well.
2048
01:41:26,160 --> 01:41:27,160
It's over there.
2049
01:41:31,520 --> 01:41:32,640
What is it?
2050
01:41:33,160 --> 01:41:36,160
- I should go to the bathroom.
- But it's time!
2051
01:41:36,680 --> 01:41:38,680
This way. Do it quickly.
2052
01:41:39,200 --> 01:41:40,640
Oh, damn...
2053
01:41:46,480 --> 01:41:47,320
Hi.
2054
01:41:48,560 --> 01:41:49,560
Hi.
2055
01:41:51,560 --> 01:41:52,760
[Andréa sighs]
2056
01:41:56,640 --> 01:41:58,720
You should do your hair for the hearing.
2057
01:42:00,320 --> 01:42:01,320
Oh, yeah.
2058
01:42:02,360 --> 01:42:03,360
THANKS.
2059
01:42:04,680 --> 01:42:06,000
[she clears her throat]
2060
01:42:08,400 --> 01:42:09,680
[she sighs]
2061
01:42:11,360 --> 01:42:12,360
How's your film going?
2062
01:42:13,600 --> 01:42:15,640
Yes, it's going great.
2063
01:42:18,400 --> 01:42:19,400
I am in disaster.
2064
01:42:21,320 --> 01:42:23,440
Tell your lawyer,
we will waste less time.
2065
01:42:26,040 --> 01:42:28,840
- I'm sorry.
- No, but you don't have to be sorry.
2066
01:42:30,760 --> 01:42:33,000
You are going to Nantes,
it's going to be great.
2067
01:42:34,080 --> 01:42:35,600
Flora will be very happy.
2068
01:42:36,120 --> 01:42:38,319
I can exchange my apartment in Paris
2069
01:42:38,320 --> 01:42:40,759
once or twice a month,
to spend time with her.
2070
01:42:40,760 --> 01:42:42,559
you looked
apartment exchanges?
2071
01:42:42,560 --> 01:42:44,920
Yes, I'm not going to stop seeing my daughter.
2072
01:42:47,440 --> 01:42:50,360
I didn't want to end up there, in court.
It's horrible.
2073
01:42:51,400 --> 01:42:54,000
I'm not even sure
to want to go there, to Nantes.
2074
01:42:56,320 --> 01:42:57,680
You pissed me off so much!
2075
01:42:58,280 --> 01:42:59,480
Well you too.
2076
01:43:05,960 --> 01:43:08,400
I don't want to live like this,
be at war.
2077
01:43:12,000 --> 01:43:13,080
Me neither.
2078
01:43:38,080 --> 01:43:40,880
[triumphal music]
2079
01:43:48,200 --> 01:43:51,879
[Noémie] So there it was, that day,
we were getting ready to shoot sequence 83.
2080
01:43:51,880 --> 01:43:54,359
[the man translated into Romanian]
2081
01:43:54,360 --> 01:43:58,479
I have prepared the work plan for you
with the service sheet.
2082
01:43:58,480 --> 01:44:01,959
It was really the primordial scene.
2083
01:44:01,960 --> 01:44:04,079
[translates into Romanian]
2084
01:44:04,080 --> 01:44:05,920
You imagine the disaster.
2085
01:44:07,200 --> 01:44:09,400
This is the heart of the film,
the farewell scene.
2086
01:44:10,560 --> 01:44:14,999
The scene where the policeman is going to give
his false papers to Suzanne,
2087
01:44:15,000 --> 01:44:17,279
who will be able to start their life again.
2088
01:44:17,280 --> 01:44:19,079
It's a heartbreaking scene
2089
01:44:19,080 --> 01:44:22,439
because she realizes
of everything good he did for her,
2090
01:44:22,440 --> 01:44:24,640
but that they will never see each other again.
2091
01:44:25,160 --> 01:44:27,319
The actors were on the bank there
2092
01:44:27,320 --> 01:44:30,520
and Andrea really wanted
a plan of the middle of the lake,
2093
01:44:31,440 --> 01:44:33,079
in long focal length.
2094
01:44:33,080 --> 01:44:35,679
So we went by the pontoon there,
2095
01:44:35,680 --> 01:44:38,679
and we rowed there,
about in the middle there.
2096
01:44:38,680 --> 01:44:41,560
With all the equipment in the boat.
2097
01:44:42,640 --> 01:44:44,839
And then there, so, well we settle down,
2098
01:44:44,840 --> 01:44:47,839
I'm about to change the focal length
as usual,
2099
01:44:47,840 --> 01:44:52,279
the head, bam, got out of balance
and then I lost my grip.
2100
01:44:52,280 --> 01:44:54,960
It was a counterbalance
with the port bulwark.
2101
01:44:57,240 --> 01:44:58,520
And splash!
2102
01:45:10,040 --> 01:45:11,400
And splash.
2103
01:45:12,360 --> 01:45:15,959
[experts whisper and laugh]
2104
01:45:15,960 --> 01:45:17,760
[speaking in Romanian]
2105
01:45:20,000 --> 01:45:21,000
What is it?
2106
01:45:22,360 --> 01:45:25,799
- Is there a problem?
- No, it's the scenario, it's fun.
2107
01:45:25,800 --> 01:45:28,279
- Oh.
- What's fun?
2108
01:45:28,280 --> 01:45:29,600
[she speaks Romanian]
2109
01:45:33,920 --> 01:45:36,159
It's very French,
this romanticism,
2110
01:45:36,160 --> 01:45:38,920
impossible love, all that.
2111
01:45:39,520 --> 01:45:40,720
What are they doing to us there?
2112
01:45:42,600 --> 01:45:43,920
“Oh there there there there there!”
2113
01:45:44,760 --> 01:45:46,759
- What's funny?
- Pardon ?
2114
01:45:46,760 --> 01:45:49,319
No. Do you want to rest, Arlette?
2115
01:45:49,320 --> 01:45:51,559
It's going very well,
I don't see what's funny.
2116
01:45:51,560 --> 01:45:54,239
We can tell you,
because the director is not there.
2117
01:45:54,240 --> 01:45:56,039
We read the script.
2118
01:45:56,040 --> 01:45:57,239
Yes.
2119
01:45:57,240 --> 01:45:58,280
It's not credible.
2120
01:45:58,760 --> 01:46:01,599
This woman, this story,
It’s far-fetched.
2121
01:46:01,600 --> 01:46:04,600
It is technical expertise
or a screenplay course?
2122
01:46:05,760 --> 01:46:07,319
Have you ever killed anyone?
2123
01:46:07,320 --> 01:46:09,200
[speaks Romanian]
2124
01:46:09,800 --> 01:46:12,360
You survived alone
in the middle of the forest?
2125
01:46:12,880 --> 01:46:14,999
"Not credible",
I wouldn't care!
2126
01:46:15,000 --> 01:46:17,240
[she gets angry in Romanian]
2127
01:46:20,480 --> 01:46:23,999
- [in French] Let's calm down. Wait.
- [Arlette] No, sorry!
2128
01:46:24,000 --> 01:46:25,520
It's just that...
2129
01:46:28,200 --> 01:46:29,440
It's just that...
2130
01:46:30,200 --> 01:46:31,960
the fugitive is me, that's it.
2131
01:46:35,600 --> 01:46:36,799
This is my story.
2132
01:46:36,800 --> 01:46:39,400
[the man translated into Romanian]
2133
01:46:40,720 --> 01:46:42,399
[Arlette] My real name is Marthe.
2134
01:46:42,400 --> 01:46:43,599
[melancholic music]
2135
01:46:43,600 --> 01:46:45,080
Marthe Lazard.
2136
01:46:45,600 --> 01:46:47,520
All my life,
I was afraid they would find me.
2137
01:46:48,560 --> 01:46:50,040
Despite the false papers.
2138
01:46:51,000 --> 01:46:52,640
Despite the prescription.
2139
01:46:53,160 --> 01:46:56,440
I was afraid to feel a hand
on my shoulder saying: “Follow me.”
2140
01:46:57,240 --> 01:46:58,400
But you really
2141
01:46:59,000 --> 01:47:00,960
deleted your husband?
2142
01:47:03,920 --> 01:47:05,760
He was a bad man.
2143
01:47:06,360 --> 01:47:09,599
Since we couldn't have children,
he made me pay for it.
2144
01:47:09,600 --> 01:47:11,040
He humiliated me.
2145
01:47:12,640 --> 01:47:13,840
He beat me up.
2146
01:47:15,240 --> 01:47:16,240
One day,
2147
01:47:17,560 --> 01:47:18,800
I defended myself.
2148
01:47:19,920 --> 01:47:21,720
We fought like savages.
2149
01:47:23,240 --> 01:47:24,600
And it went wrong.
2150
01:47:26,000 --> 01:47:28,919
Before the courts,
I knew I had no chance.
2151
01:47:28,920 --> 01:47:31,080
He was a notable person.
2152
01:47:31,760 --> 01:47:34,919
Me, a nothing girl.
So I fled.
2153
01:47:34,920 --> 01:47:37,999
I hid
almost two years in the mountains.
2154
01:47:38,000 --> 01:47:40,240
It was the worst time of my life.
2155
01:47:41,320 --> 01:47:42,520
But ultimately,
2156
01:47:43,640 --> 01:47:45,160
perhaps also the best.
2157
01:47:45,960 --> 01:47:47,480
Because I got out of control.
2158
01:47:49,000 --> 01:47:51,360
Because I held on.
Because I survived.
2159
01:47:52,000 --> 01:47:54,160
Because I understood
that I had strength.
2160
01:47:56,000 --> 01:47:57,640
That I wasn't a no-good girl.
2161
01:47:58,160 --> 01:48:00,360
How did you end up in Paris, then?
2162
01:48:00,880 --> 01:48:01,880
My cop.
2163
01:48:05,800 --> 01:48:06,880
My cop.
2164
01:48:08,920 --> 01:48:12,440
He took risks for me.
He helped me get a new marital status.
2165
01:48:13,040 --> 01:48:14,040
False papers.
2166
01:48:14,560 --> 01:48:15,600
And he said to me:
2167
01:48:16,480 --> 01:48:18,560
“Go to Paris, you will be more anonymous.”
2168
01:48:21,200 --> 01:48:22,720
And we never saw each other again.
2169
01:48:26,400 --> 01:48:28,120
In Paris,
I made friends.
2170
01:48:29,880 --> 01:48:33,239
Artists, outsiders,
jazz musicians.
2171
01:48:33,240 --> 01:48:34,719
[thunder rumble]
2172
01:48:34,720 --> 01:48:35,880
I earned my living.
2173
01:48:36,920 --> 01:48:39,039
I washed dishes in restaurants.
2174
01:48:39,040 --> 01:48:41,800
I did the changing room,
the barmaid in jazz clubs.
2175
01:48:42,400 --> 01:48:44,639
And I ate the cinema
like not possible.
2176
01:48:44,640 --> 01:48:45,920
[Andréa] Hmm.
2177
01:48:47,000 --> 01:48:48,000
And there,
2178
01:48:49,320 --> 01:48:50,920
I met Samuel Kerr.
2179
01:48:56,000 --> 01:48:57,640
And we created ASK.
2180
01:49:00,080 --> 01:49:02,440
And then Andréa came to help me
2181
01:49:03,200 --> 01:49:04,600
to write my memoirs.
2182
01:49:06,480 --> 01:49:08,199
And there, we made his film.
2183
01:49:08,200 --> 01:49:10,960
Wait, it's you
who pushed me to make a film about it.
2184
01:49:12,200 --> 01:49:14,759
Given the state of the troops,
I don't know if I did the right thing.
2185
01:49:14,760 --> 01:49:15,640
[they giggle]
2186
01:49:16,640 --> 01:49:17,640
Phew…
2187
01:49:18,760 --> 01:49:19,760
At worst,
2188
01:49:20,440 --> 01:49:21,600
there's no more film.
2189
01:49:22,520 --> 01:49:23,720
But there's us, anyway.
2190
01:49:24,800 --> 01:49:27,560
[dreamlike music]
2191
01:49:36,000 --> 01:49:39,040
- [she sighs]
- [cicadas singing]
2192
01:49:56,360 --> 01:49:58,200
Well no, you know,
we don't know yet
2193
01:49:59,080 --> 01:50:00,520
whether it will resume or not.
2194
01:50:01,280 --> 01:50:03,120
I can give you my money, look.
2195
01:50:03,880 --> 01:50:05,440
I have 64 euros.
2196
01:50:07,560 --> 01:50:08,919
Do you want to give me everything?
2197
01:50:08,920 --> 01:50:10,599
Yes, give you everything.
2198
01:50:10,600 --> 01:50:12,399
That's really nice.
2199
01:50:12,400 --> 01:50:14,160
Are you okay with Laetitia?
2200
01:50:15,600 --> 01:50:17,759
You're doing well for his contract
with the English?
2201
01:50:17,760 --> 01:50:19,280
There's no more contract.
2202
01:50:20,880 --> 01:50:22,800
She decided not to do the series.
2203
01:50:23,400 --> 01:50:24,880
She goes to Italy with Vincent.
2204
01:50:28,640 --> 01:50:30,919
Yes, I couldn't convince her.
2205
01:50:30,920 --> 01:50:34,200
Oh no, but everything is fine.
2206
01:50:35,600 --> 01:50:39,160
It’s also part of our job
to accompany life, sometimes.
2207
01:50:42,920 --> 01:50:44,400
[she urinates]
2208
01:50:45,880 --> 01:50:47,080
[vibration]
2209
01:50:49,040 --> 01:50:50,040
Oh no!
2210
01:50:53,920 --> 01:50:55,040
[moans]
2211
01:50:57,920 --> 01:51:00,200
[vibration continues]
2212
01:51:01,680 --> 01:51:04,919
[Noémie shouts]
2213
01:51:04,920 --> 01:51:06,319
- What's going on?
- What ?
2214
01:51:06,320 --> 01:51:08,439
- It's a viper!
- [Hervé] Noémie!
2215
01:51:08,440 --> 01:51:12,760
- [Arlette] What's going on?
- We have the money! The film is saved!
2216
01:51:13,280 --> 01:51:16,680
[scream with joy]
2217
01:51:20,520 --> 01:51:22,000
[Gabriel] The film is saved!
2218
01:51:24,120 --> 01:51:25,920
Andréa, the film is saved!
2219
01:51:26,840 --> 01:51:29,040
Yes! Yes!Andréa!
2220
01:51:29,920 --> 01:51:30,960
Andrea!
2221
01:51:35,880 --> 01:51:38,040
[melancholic music]
2222
01:51:45,600 --> 01:51:47,680
- Thank you. THANKS.
- It was nothing.
2223
01:51:48,640 --> 01:51:49,920
It was nothing. [screams with joy]
2224
01:51:50,920 --> 01:51:53,120
We're going to make it, your film!
2225
01:52:07,080 --> 01:52:10,800
[upbeat upbeat music]
2226
01:52:18,840 --> 01:52:21,200
[inaudible dialogue]
2227
01:52:35,800 --> 01:52:37,280
[inaudible dialogue]
2228
01:52:52,080 --> 01:52:54,320
[inaudible dialogue]
2229
01:53:09,640 --> 01:53:12,040
[intriguing music]
2230
01:55:10,320 --> 01:55:12,640
[upbeat upbeat music]
2231
01:55:58,520 --> 01:56:00,840
[funk music]
2232
01:57:11,760 --> 01:57:13,760
[music stops]